53 cues
The most relaxed cue on the set at 105 BPM in bright D major, built on a four-on-the-floor kick, claps, clean guitar figures and chopped vocal samples over warm synth pads. It sits in a sunny, strolling lifestyle groove rather than a hard-driving one, making it the best fit for summer holiday footage, couples, and slower-cut brand storytelling.
The outlier on the album: a 185bpm indie-rock burner in E minor driven by fuzzed, distorted electric guitar, claps and shouted vocal samples rather than the horn-and-breakbeat funk of its neighbours. At just over two minutes it is a flat-out sprint with no let-up, built for fast cuts.
B minor disco house at 121bpm with organ and Rhodes chords, string lines and mixed male/female vocal fragments over a steady 4/4 kick and funk guitar. Slightly warmer and more romantic in feel than its siblings, good for couples-in-the-city footage or a feel-good nightlife sequence.
Optimistic 128bpm indie rock in B, bouncy and warm, with jangly electric guitar, bass, drums, synth sparkle and male background vocals adding the hook. Hopeful and mildly reflective, it fits fresh-start and new-chapter storytelling.
The most lighthearted track on the record: 100bpm in G with piano, mandolin, acoustic and electric guitars, handclaps and both female and male vocals trading a cheerful, fun feel. Casual walking-pace groove rather than a big emotional build, aimed at everyday lifestyle imagery.
Bright indie folk at 120 BPM in A, with piano and guitar over handclaps and brushed drums, saxophone taking the lead line and layered vocal harmonies filling the choruses. Short and sweet at 1:45, it plays as a nostalgic, retro-tinged romance — first dates, diner scenes, small-town summer.
The slowest cue on the album at 82 BPM in B flat minor, and the only instrumental-leaning one, with vibraphone and horn/brass lines over a laid-back reggaeton beat. Sunny and playful despite the minor key, and the lack of a listed lead vocal leaves it usable under dialogue or narration.
Brighter, more commercial rock at 140bpm in B flat, with claps alongside guitars, bass and drums instead of heavy distortion — closer to an ad-friendly indie stomp than the album's harder cuts. Cheerful and slightly comedic, good for feel-good lifestyle spots and light dramedy montage.
A 121 BPM F major strummer built on acoustic guitar, mandolin and piano with bass and drums and wordless vocal stylings, no electric guitar to thicken it. Airy and playful rather than rock-weighted. Fits sunny commercial montage, cooking and craft content and light-hearted travel footage.
A 118bpm house track in G major with 4/4 kick, bass, synth, piano and strings — the fullest, most orchestrally coloured of the club-tempo cues and the only one without introspective or moody tags. Its late-night title over a major-key, luxury-leaning groove suits footage of empty streets, hotel interiors and dawn arrivals. Also strong for premium real estate, automotive and fashion vlog content.
At 110 BPM in D this is one of the album's driving cuts, adding a full drum kit to the acoustic guitar, bass, stomps and claps behind the male vocal. Feel-good and uplifting with a friendship-themed lift, it's the longest-legged singalong on the record. Fits group adventure footage, sports team montages and celebratory wedding recaps.
A bright 102bpm indie-folk instrumental-leaning cue in G, built on strummed acoustic guitar, claps, a four-on-the-floor kick and strings, with chopped glitch vocal textures as hooks rather than a lead vocal. At 2:18 it's a tight, advert-length arc that opens sunny and lifts to a confident final chorus.
The fastest cue on the album at 147 BPM, a bright F major synthwave chase built on driving analogue bass, punchy programmed drums and layered lead synths. Upbeat and uncomplicated rather than brooding, it keeps a single high-energy gear across three minutes. Suits fast-cut sports, arcade and nightlife footage.
A brisk 96bpm ukulele strum in A with claps, kick and bass under bright piano and glockenspiel sparkle, the shortest cue on the set at just over two minutes. It stays light and cheerful throughout with a clean feel-good landing, and the childlike glockenspiel colour makes it read as innocent rather than adult. Fits family retail spots, kids' programming beds and quick lifestyle montages.
Bright 123bpm folk-rock in C where mandolin and electric guitar sit on top of acoustic strum, bass and kit for a rootsy, happy drive. The most overtly cheerful of the upbeat cues, with male lead and communal oohs carrying a steady lift to a full-band close.
Mid-album synthpop at 131 BPM with synth pads, piano chords and a clean four-on-the-floor pulse under wordless backing vocals. The title's sense of grey turning bright suits a build from restrained verse to soaring, open-hearted chorus in C major.
An uplifting 120 BPM indie pop song in G, with piano and male vocal riding a beat-plus-live-drums groove and bass, building toward a soaring, positive final stretch. Sunnier and more anthemic than the album's synth-heavy tracks, it lands squarely in feel-good territory. Works for summer campaign spots, graduation and friendship montages, and optimistic charity or community films.
At 2:31 the longest cue here, a 122 BPM D major singalong with male vocals, acoustic guitar, bass, drums and claps. Its title and warm, kid-friendly lift suit togetherness and community storytelling, and the extra length gives room for a full ad arc.
The fastest cut on the album at 148bpm in D#, a feel-good future bass and chillstep hybrid with punchy beat, drums, arpeggios, piano and guitar. Funky and fun throughout rather than slow-building, made for arrival moments, vacation reels and snowboard or surf highlight edits.
The biggest-sounding cue on the album: 116bpm in E with ukulele, acoustic guitar, mandolin, piano, claps, tambourine and cymbals filling out the band. Bright and open-air optimistic, the extra percussion giving it the most lift of the up-tempo group. Suits sunrise and outdoor travel visuals, insurance or supermarket advertising and hopeful brand storytelling.
Synth-forward and compact at 130bpm in E, with piano over a four-on-the-floor kick, bass and airy background vocal texture. Moodier and more electronic than the guitar-led tracks around it, it keeps a steady motivational pulse that sits comfortably under narration.
The clear outlier in feel: a 120bpm four-on-the-floor house track in A minor with piano stabs, synth and driving bass, tagged feel-good, road trip and youth rather than chill. Use it where the album needs forward motion — open highway, festival crowds, a group of friends in motion.
A relaxed 111 BPM instrumental in D led by piano and synth over a programmed beat, bass and drums — the only main mix here with no vocal, which makes it the easiest bed for narration. Feel-good and summery throughout, it stays bright without ever getting heavy. Ideal for advertising voiceover, product explainer video, summer travel content and upbeat corporate presentations.
Short, bright 95 BPM C major spot built on claps, stomps, marimba, mandolin and playful piano with light strings — deliberately naive and toy-like. At 1:40 it is cut to advertising length for family, kids and feel-good retail messaging.
The most upbeat and least sentimental track here: 120 BPM in E minor with saxophone riding piano, bass, handclaps and drums, and no strings or vocals to soften it. A tight two minutes of playful, funny-scene energy for comedy edits, quirky product reveals and social ads.
The shortest and most immediately upbeat cue at 140bpm in C, driven by synth, electric guitar, piano and drums with crowd-style shouts adding a communal lift. Bright, motivational and feel-good with no minor shading, its 2:27 length makes it an efficient edit for advertising and homecoming-themed montages.
The fastest and tightest cue at 100bpm in D and 2:33, with a driving guitar riff, organ, harmonica and a purposeful hip hop beat. Forward-motion title and brisk tempo make it the natural choice for walking, arriving and confident-entrance footage.
An easy 100 BPM acoustic cue in C built on guitar, piano and bass with handclaps, light drums and bell sparkle for a bright wake-up feel. It stays warm and unhurried across 2:39, lifting gently rather than pushing, and suits morning routines, breakfast product spots and family-friendly lifestyle footage.
Short and punchy at 1:33, this 126bpm cue in C adds saxophone to the acoustic guitar, melodica, drums and claps, giving it a brighter, jauntier swing than its neighbours. Its brevity makes it a natural fit for a 60- or 30-second advertising cutdown or a quick transitional montage.
Shortest track here at 2:56: 142bpm future bass and trip hop in D with claps, beat, bass, arpeggios, piano and guitar, bright and playful with a homeward-bound lift. A tight, ready-to-cut option for fast travel recaps and end-of-trip sequences.
The album's pop crossover cue: accordion sits over acoustic guitar, handclaps and a live drum kit with male vocals carrying the melody, in a bright G major at a walking 100 BPM. It builds from a feel-good strum into a full, uplifting singalong chorus, warm and hopeful rather than nostalgic.
Bright E major acoustic-rock at 108 BPM with mandolin, electric guitar and male vocal stylings riding a live drum groove. Short and immediately warm, with a feel-good, road-trip lift rather than a big dramatic build. Good for indie film trailers, car and outdoor brand spots, and coming-of-age montages.
Feel-good 120bpm electro-pop in B flat, guitar-and-synth led over a driving pop beat, with a nostalgic summer-romance tilt in the title. Cheerful and anthemic, close in energy to the EP's other uptempo cuts but slightly warmer and longer at 2:57.
A relaxed 94bpm C major ukulele strum with kalimba sparkle, handclaps, light kit and piano, sitting in an unhurried skipping groove. Its playful, storybook character and longer 3:28 running time make it a workhorse bed for gentle whimsy rather than big lift.
Busy 128 BPM neoclassical advertising cue in C major with pizzicato-style string motion, piano, vibes and pads over a steady drum pulse. Reads as progress and cooperation rather than triumph, and its 1:43 length suits corporate, medical and science storytelling.
The most overtly playful cue here: 122bpm acoustic guitar in E with bouncy organ, bongos and walking bass, aimed squarely at cheerful, comedic and kid-friendly picture. Light-footed and cute, good for animated explainers, toy or snack advertising and light domestic comedy beats.
The shortest and most relaxed of the playful group at 95 BPM in B flat, mixing acoustic guitar and ukulele with xylophone, vibraphone, claps and a soft kit. Its 1:29 length and toy-bright tone make it an easy fit for kids' content and short-form explainers.
A 96bpm East Coast hip hop groove in C, built on a boom-bap beat and round bass with warm strings, bell figures and a jazzy saxophone line on top. Bright and unhurried, it suits breezy lifestyle footage where the sax carries the personality rather than the picture.
Brisk 120bpm corporate electronic cue in D flat, built on a steady programmed beat, round synth bass and layered synth pads with chopped vocal samples as a hook. The short two-minute length makes it an efficient bed for product explainers and tech or medical brand films, staying bright and forward-moving throughout.
A feel-good 110bpm house cue in A flat with a driving 4/4 kick, rounded bass, bright synths and processed vocal samples — hopeful and forward-moving rather than moody. The title's playful pun on sine waves fits its clean, glossy electronic surface. Built for vlog intros, sportswear and tech product spots, and upbeat holiday footage.
A bright G-major acoustic guitar stroll at 118 BPM, carried by hand percussion, a whistled hook and a light saxophone line for a slightly wry, comedic lift. Under two minutes and cheerfully self-contained, it suits everyday-life storytelling where the tone is warm but never sentimental.