The fastest cue on the album at 147 BPM, a bright F major synthwave chase built on driving analogue bass, punchy programmed drums and layered lead synths. Upbeat and uncomplicated rather than brooding, it keeps a single high-energy gear across three minutes. Suits fast-cut sports, arcade and nightlife footage.
The album's title cue: a 122 BPM D minor floor track with a four-on-the-floor kick, rolling synth bass and processed vocal samples used as hooks and effects. Slightly darker than its major-key neighbours but still summery and club-facing. Works for beach-at-night, festival and fashion content.
Same 122 BPM four-on-the-floor engine as the title track but pitched into G# minor and without vocal samples, so the focus sits on synth leads and bass. The minor key and the title lean toward a more cosmic, faintly ominous read of the retro palette. Good for sci-fi trailers, gaming and space-themed edits that still need a dancefloor pulse.
A slow, moody 95 BPM F# minor cruise with electric guitar over synth pads, retro drum programming and steel drums adding a tropical tint. The longest and most atmospheric of the mid-tempo cuts, sultry rather than celebratory. Made for neon-lit coastal driving, undercover crime drama and stylish period pieces.
The shortest cue here at 2:47, a 116 BPM G major four-on-the-floor track with bright synth leads and thick retro bass. Sunny, straightforward and easy to cut against, with no vocal elements to work around. Ideal for short-form advertising and social edits needing a quick feel-good retro hit.
A relaxed 90 BPM cue in B major that folds chiptune and 8-bit textures into dreamy synth pads, mid-tempo beat and vocal samples. The most nostalgic and playful track on the album, more head-nodding than dancing. Fits retro gaming content, nostalgia documentaries and lighthearted throwback storytelling.
A 110 BPM F minor groove sitting between the album's club tracks and its slower cruisers, driven by synth bass, retro drums and lead synth lines. Feel-good but minor-keyed, giving it a wistful summer-evening tone across three and a half minutes. Suits sunset travel footage, lifestyle brand films and reflective montages that still need forward motion.
A funky, sensual 95 BPM cut in G# minor where electric guitar lines trade off against analogue synths and a laid-back retro drum groove. Cooler and more strut-driven than the club tracks, with a moody undertow. Works for fashion runway, late-night drama and confident character introductions.
The coolest-toned cue on the album: 95 BPM in C minor with a steady four-on-the-floor kick under dreamy synth pads and deep retro bass. Hypnotic and understated rather than celebratory, running a full 3:51 with room over the top. Good for pensive night sequences, tech and automotive visuals, and narration-led retro documentary.