The album's title cue: 120bpm indie folk in A built on strummed acoustic guitar, piano and bells over stomp-clap percussion, with male lead vocal and wordless oohs and ahhs lifting the choruses. It climbs from a warm, romantic opening into a wide, soaring full-band finish inside two and a half minutes.
At 135bpm this is one of the faster acoustic cues on the set, pairing driving strummed guitar and stomp-clap rhythm with strings for extra cinematic sweep. Confident and forward-leaning, with male vocals and group oohs pushing an achievement arc, tight enough at 2:12 for a short-form edit.
The slow, reflective outlier: 74bpm in C, with fingerpicked acoustic guitar, piano and ethereal synth pads over a soft programmed beat, male vocal and airy background oohs. Intimate and a little melancholy rather than triumphant, suited to slow-motion and timelapse footage.
Bright 123bpm folk-rock in C where mandolin and electric guitar sit on top of acoustic strum, bass and kit for a rootsy, happy drive. The most overtly cheerful of the upbeat cues, with male lead and communal oohs carrying a steady lift to a full-band close.
A compact 2:05 cue at 117bpm in A flat, with acoustic and electric guitars, piano, bass and drums under a hopeful male vocal and background oohs. Its shorter runtime and mid-bright tempo make it the natural fit for a 60- or 90-second cutdown that needs to arrive quickly and end clean.
The fastest folk cue here at 158bpm in B, with rapid acoustic strumming, electric guitar, bass and busy drums behind male vocals and soaring group oohs. Relentlessly forward-moving and best for footage that needs urgency and altitude rather than sentiment.
An instrumental indie rock departure from the acoustic material: 140bpm in F#, electric guitar led with piano, bass and hard-hitting drums and no vocal. Confident, lifestyle-oriented and sports-ready, leaving the top end open for narration or commentary.
A steadier 110bpm cue in B where electric guitar and piano lead over acoustic strum, bass and drums, with male vocal and background oohs. The title's sense of relocation matches its unhurried, dramatic-but-warm build, good for narrative arcs that need room before the payoff.
The most lighthearted track on the record: 100bpm in G with piano, mandolin, acoustic and electric guitars, handclaps and both female and male vocals trading a cheerful, fun feel. Casual walking-pace groove rather than a big emotional build, aimed at everyday lifestyle imagery.
The longest cue at 3:07, 120bpm in E, with acoustic guitar, bells and electric guitar over bass and drums plus male vocal and wordless backing lifts. Its extra length allows a fuller uplifting arc from restrained verse to soaring final chorus, useful when the edit needs a real journey.