Bright indie folk built on strummed mandolin, piano and strings over a driving 130 BPM four-on-the-floor kick, with wordless oohs lifting the choruses. Sits in a warm, unclouded G major and grows from a light picked opening to a full, hands-in-the-air finish. Suits family-brand advertising and hopeful lifestyle montages.
The fastest of the synthpop cues at 144 BPM, pairing bright synth arpeggios and piano with claps, a steady 4/4 kick and airy backing oohs. C major keeps it innocent and unclouded, matching the nostalgic title, and the energy stays high and celebratory throughout.
An Afro-flavoured departure from the album's indie core: kalimba figures, layered hand percussion and male lead and group vocals over a 124 BPM kick pulse. A minor gives it a touch of earthy shade while the groove stays warm and forward-moving, ideal for journey and sport footage.
Mid-album synthpop at 131 BPM with synth pads, piano chords and a clean four-on-the-floor pulse under wordless backing vocals. The title's sense of grey turning bright suits a build from restrained verse to soaring, open-hearted chorus in C major.
The most organic and emotional cue here: piano and bass joined by harmonica and melodica, with distorted electric guitar adding grit as it climbs at 139 BPM. A major and no percussion listed keeps it looser and more road-movie than the synthpop tracks, reading as a fresh start.
An Asian-tinged corporate cue at a brisk 146 BPM, with flute and strings threading over synth, piano, percussion and drums. B flat gives it a clean, bright optimism suited to arrival sequences, city timelapse and technology or medical footage.
Feel-good synthpop at 140 BPM in F, with synth and piano over claps-free but insistent 4/4 kick and drums, and oohs lifting the top end. The carefree title matches a bright, unhurried-but-fast lift that works for holiday and weekend footage.
The album's Celtic outlier: bagpipes and flute carrying the melody over claps, drums and a 124 BPM four-on-the-floor pulse. G flat major and the playful title give it a communal, festive lift rather than a corporate polish, ideal for outdoor and heritage footage.
The title cue and the album's emotional centrepiece: strings and kalimba over synth, bass and drums at 136 BPM in G, with wordless backing vocals opening out the choruses. The longest track here, giving room for a slow-burn motivational build to a wide, resolved finish.