Shopping Spree

Acoustic guitar figures over a steady 124bpm four-on-the-floor house kick, with warm synth pads and chopped vocal samples carrying the hook. The G minor tonality keeps it smooth and slightly jazzy rather than euphoric, and at 3:12 it's one of the longer, more loop-friendly beds on the set.

The funkiest cut here: 127bpm neo-soul house with electric guitar, Rhodes and Hammond organ layered over a driving 4/4 kick and vocal samples. Short at 2:41 and celebratory in tone, its B minor groove suits a payoff moment rather than a background wash.

Bright acoustic-guitar house at 124bpm in D minor, with claps reinforcing the four-on-the-floor pulse and vocal samples used as texture. Optimistic and forward-moving, sitting neatly under narration for feel-good commercial work.

Electric guitar licks and clap-driven house at 124bpm in A minor, smooth-jazz-inflected and sunny throughout. At 2:42 it's a compact, edit-ready groove that stays even in energy from top to tail.

Warm neo-soul house at 123bpm in E minor, built on electric guitar, claps and a solid 4/4 kick with vocal samples as the hook. The longest cue on the album at 3:14, with a reunion-flavoured title that suits friends-and-family footage.

The most relaxed tempo of the set at 121bpm, pairing acoustic guitar with a smooth-jazz house pulse in F minor. No claps in the mix and a longer 3:18 run make it the easiest bed here to talk over.

Funky electric-guitar house at 122bpm in F# minor, with claps, four-on-the-floor kick and vocal samples driving a bright neo-soul groove. Compact at 2:44 and energised enough for a quick-cut montage.

At 126bpm in E minor this is one of the punchier cuts, electric guitar and claps over an insistent house kick with vocal sample stabs. The shortest track at 2:38, making it a tight fit for a 30-second spot with room to trim.

Sleek 126bpm house in D minor with electric guitar, claps and airy synths, leaning to the smoother, more evening-toned side of the album. Runs 3:10, giving it room to sustain a longer sequence.

The one cue with strings alongside acoustic guitar, claps and a 122bpm four-on-the-floor kick in B minor, giving it a slightly warmer, more emotional lift than its neighbours. Anthemic title and 2:45 length suit an uplifting closing beat.