Summersound

A 122bpm indie folk-rock cue in B, built on acoustic and electric guitar with bass, drums and a sweetening string layer for a homecoming lift. Warm and soaring rather than driving, it resolves cleanly inside 2:37 for a montage payoff.

The title cue: a 120bpm synthpop-pop hybrid in C# where synth pads and pulse sit under acoustic guitar, dulcimer, percussion and a full drum kit. Bright, summer-forward and ad-ready, with an uplifting arc that lands by 2:44.

The fastest and most energised cue here at 134bpm in G, pairing strummed acoustic guitar and piano with driving drums, bass and percussion. Optimistic and wide open, it charges straight to a resolved finish in 2:35.

At 102bpm in E this is one of the album's slower, more emotional pieces — synth textures, programmed beat, bass, strings and electric guitar building a corporate-friendly, romantic swell. Mid-tempo and spacious, it grows to a warm resolution across 2:40.

A 127bpm folk-pop stomper in E led by acoustic guitar, dulcimer, handclaps and kit drums for a communal, festival-crowd feel. Energised and anthemic throughout, resolving after 2:50.

Piano-and-electric-guitar pop rock at 130bpm in E flat, with claps, synth and a full rhythm section pushing a nostalgic, wide-screen lift. The longest of the fast cues at 2:59, giving room to build and land.

The moodiest track on the album: 111bpm in B, with electric guitar, piano, dulcimer and synth over steady drums and bass, tagged introspective rather than purely upbeat. It carries a reflective climb toward an uplifting resolve in a tight 2:31.

The longest cue at 3:06, a heartfelt 116bpm folk-rock build in F# using acoustic and electric guitar, dulcimer, piano, strings, bass and drums. Its extra length allows a slower emotional climb from tender to soaring before a full resolution.

A fun, feel-good 128bpm rocker in E where slide guitar and electric guitar trade over piano and drums for a sunny, Americana-tinted drive. Energetic from the top and resolved by 2:41, with no introspective dip.

The shortest cue at 2:15 and the most edit-ready: 119bpm synthpop in D minor with electric guitar, piano, percussion, bass and drums. Minor-key colour keeps it slightly bittersweet while the energy stays upbeat and forward-moving to a clean end.

The slowest cue on the album at 100bpm in D, built from piano, electric guitar, bass and a light programmed beat for a romantic, corporate-warm feel. Restrained and open, it grows gently and resolves within 2:26.

The most intimate piece here — 102bpm in E with acoustic guitar, bells, dulcimer, piano, synth and bass creating a delicate, glistening texture rather than a driving beat. Romantic and tender, tagged without motivational push, it settles rather than explodes across 2:30.