Ella Me Dice Cosas

The album's title cut runs at a bright 155 BPM in A, pairing a reggaeton beat with steel drum figures, bass and percussion under a male vocal hook. Confident and flirtatious rather than hard-hitting, it works as a wall-to-wall club or party bed.

The most aggressive cue here: 105 BPM in G with brass stabs, synths, SFX hits and a commanding female vocal. The attitude leans sports and fashion as much as club, good for strut footage and cut-to-the-beat edits.

A slinky 98 BPM reggaeton groove in D built on 808 sub-bass, synth and chopped vocal samples with a lead female vocal. Purely seductive in tone, sitting low and steady rather than building to a peak.

The slowest cue on the album at 82 BPM in B flat minor, and the only instrumental-leaning one, with vibraphone and horn/brass lines over a laid-back reggaeton beat. Sunny and playful despite the minor key, and the lack of a listed lead vocal leaves it usable under dialogue or narration.

98 BPM in D with a Caribbean tilt — steel drums and layered percussion over reggaeton bass, topped by a female vocal. Shares tempo and key with 'Gata Fina' but trades the 808-heavy club sound for a brighter tropical feel.

A road-trip flavoured reggaeton at 104 BPM in F, distinguished from the rest of the album by electric guitar over the beat and bass, with a male vocal lead. Easygoing and summery, suited to movement and open-air footage.

At 120 BPM in A this is one of the album's most upbeat cuts, driven by claps, percussion and bass with male vocals and vocal FX punctuation. Feel-good party energy for high-tempo cutting.

A sparse, luxury-leaning instrumental at 101 BPM in F sharp minor: synth pads over a reggaeton beat with a four-on-the-floor kick and no listed vocal. Cool and unhurried, which makes it the album's most practical bed for narration or dialogue.

117 BPM in F minor with claps, finger snaps and synth over the reggaeton beat, leaning chilled pop with a Caribbean lilt. No lead vocal listed, so it holds a groove behind voiceover while still driving an edit.

The album's longest and most stripped-back cue: nearly three minutes of reggaeton beat and steel drums at 98 BPM in C minor. The minimal instrumentation and minor key make it a loopable, seductive club underscore that leaves plenty of room over the top.