A 112bpm big-beat funk cue in G minor built on breakbeat drums, a fat bass line and horn stabs, with chopped vocal samples used as hooks. Struts rather than sprints — the swagger of the title comes from the brass punctuation and guitar rhythm work over a steady mid-tempo groove. Suits a playful brand spot that needs attitude without frenzy.
The outlier on the album: a 185bpm indie-rock burner in E minor driven by fuzzed, distorted electric guitar, claps and shouted vocal samples rather than the horn-and-breakbeat funk of its neighbours. At just over two minutes it is a flat-out sprint with no let-up, built for fast cuts.
Shares the 112bpm big-beat tempo of "Funky Outlaw" but sits in A minor and leans soulful, with added percussion and claps thickening the pocket under brass stabs and vocal chops. Warmer and more danceable than outright cheeky, with a steady feel-good build across 2:15.
The album's title cue and its centrepiece: 135bpm in E minor, marrying fuzz-and-distortion rock guitar to breakbeat drums, synths and horn stabs. Tagged hyped, it is the most aggressive of the funk-based tracks and the longest at 2:44, leaving room for a full build and a hard landing.
The slowest and bluesiest cue here at 110bpm in F minor, where harmonica sits alongside the breakbeat drums, electric guitar and chopped vocal samples for a dusty, roadhouse-flavoured funk. Loose and rowdy in feel but still tightly gridded, running 2:31.