A 120bpm disco house groove in C minor built on a four-on-the-floor kick, round electric bass and clipped funk guitar, with chopped female vocal samples used as a glitchy hook rather than a full topline. Its moody minor tonality keeps it stylish rather than euphoric, suiting fashion b-roll and night-time city driving footage.
The most band-like cue here: 121bpm in A minor with Rhodes and Hammond organ comping over a disco house kick, plucked guitar and strings sweetening the top, plus male and female vocal chops. At 2:26 it moves quickly, making it a tight fit for soulful, funky runway and lifestyle edits.
B minor disco house at 121bpm with organ and Rhodes chords, string lines and mixed male/female vocal fragments over a steady 4/4 kick and funk guitar. Slightly warmer and more romantic in feel than its siblings, good for couples-in-the-city footage or a feel-good nightlife sequence.
The fastest of the F# minor pair at 122bpm, stripped to essentials — kick, bass, funk guitar, synth and glitched female vocal samples with no keys or strings. Its cooler, more mechanical sheen suits catwalk sequences, beauty tech and sleek product reveals.
At 117bpm in E flat minor this is the loosest, most groove-led cue on the record: kick, bass, wah-flavoured electric guitar, synth and glitch-treated vocals with no keyboard layer. The slower tempo and dark minor key give it a late-night funk swagger for club interiors and moody streetwear footage.
The quickest and shortest cut: 126bpm in F minor, just over two minutes of driving 4/4 kick, punchy bass, funk guitar and glitched vocal stabs. Built for high-energy short-form edits where the track has to hit immediately and get out.
A slower 113bpm F# minor groove with the fullest palette on the album — Hammond and Rhodes, strings, funk guitar and vocoder-processed vocals over a disco house kick. The relaxed tempo and soulful chords make it a good bed under narration or a stylish slow-motion fashion sequence.
The title track and the only cue in a major key: 125bpm in E flat, bright and confident, with Rhodes and organ chords, funk guitar, rolling bass and chopped vocal hooks over a 4/4 kick. The major tonality makes it the most openly upbeat and celebratory choice on the album.
At 109bpm in D major this is the slowest and sunniest cue here, a laid-back disco house groove with Rhodes and organ, clean funk guitar, warm bass and glitchy vocal samples. Short at 2:07 and relaxed rather than driving, it works well under talking-head or cooking and café footage.
110bpm in B flat minor, pairing a mid-tempo disco house kick and funk guitar with strings, Hammond, Rhodes and vocoder vocal treatments for a retro-futurist shimmer. Moodier and more soulful than the faster cuts, suited to glamorous night footage and stylish transformation montages.