The album's most relaxed cut at 108bpm in A, pairing warm electric guitar, bass and drums with wordless male background vocals for a nostalgic, bittersweet lift. Reflective rather than driving, it suits end-of-summer footage and looking-back narration.
The fastest track here at 180bpm in A, adding strummed acoustic guitar to the electric guitar, bass and drums for a restless, near-punk gallop with shouted background vocals. Urgent and wild, it barely pauses across its 2:33.
A 160bpm bouncy instrumental in A, and the leanest arrangement on the album — just electric guitar, bass, drums and percussion with no vocals at all. Playful and carefree, the absence of a vocal line leaves it easier to talk over than its neighbours.
The moodiest cue on the album: a minimal 124bpm groove in B built from cool, sparse electric guitar, bass, drums and synth texture with no vocals. Introspective and nocturnal but still steadily driving, it works as an underscore bed.
At 90bpm in E this is the slowest and dreamiest track on the album, with hazy electric guitar and synths over a loose drum groove and floating male background vocals. Euphoric and blissful rather than energetic, it suits slow motion and golden-hour imagery.
Optimistic 128bpm indie rock in B, bouncy and warm, with jangly electric guitar, bass, drums, synth sparkle and male background vocals adding the hook. Hopeful and mildly reflective, it fits fresh-start and new-chapter storytelling.