Tiger Pop

Bright 128 BPM electropop in G built on a four-on-the-floor kick, chopped vocal glitch hooks and a round synth bass. Sunny and uncomplicated from the top, with a lift into a wide festival-sized chorus that resolves cleanly.

Half-time 87 BPM future bass in D, moodier and more sensual than the album's dance cuts: soft trap-leaning beat, pitched vocal glitches and a thick sub bass. Sits in a slow, romantic groove for over three minutes without ever going full EDM.

Companion to the album's other 128 BPM anthems but pitched in G#, this one pairs a driving 4/4 kick with stuttered vocal-glitch phrases and a punchy synth bass. Motivational and forward-leaning, the longest of the uptempo group at 3:22.

Mid-tempo 108 BPM crossover of pop and future bass in G, with a steady 4/4 kick under warm synth pads, glitched vocal fragments and a rolling bass. Feel-good but with a slightly wistful edge, useful when you want momentum without a dancefloor.

The slowest cue here at 70 BPM in G#, a downtempo chillstep bed of sparse beat, hazy synths, deep bass and scattered vocal glitches. Sultry and unhurried, closer to atmosphere than song, and short enough at 3:05 to sit under a whole scene.

128 BPM electropop in E with a pushing four-on-the-floor kick, glitched vocal hook and bright synth stacks. The title's upward lean suits climbing, achievement and reveal cuts, and it lands on a definite finish.

115 BPM in C minor, the darkest of the mid-tempo group: 4/4 kick and future-bass synths under chopped vocal glitches, minor-key but still driving and positive-leaning. Groove-forward rather than melodic, which leaves room over the top.

70 BPM chillstep in E minor, the shortest and most melancholy of the slow cuts, with a laid-back beat, breathy vocal glitches and heavy low end. Emotional and yearning, suited to reflective moments before a lift elsewhere in the edit.

125 BPM electropop in E, marginally more relaxed than the album's 128 BPM anthems but built the same way: solid 4/4 kick, glitched vocal hook, wide synths and driving bass. Optimistic and open-road in feel across its 3:19.

The shortest cue on the album at 2:37, a 113 BPM pop/EDM hybrid in C# with 4/4 kick, synth bass and vocal glitch chops; the title points to a Latin-tinged rhythmic accent. Punchy and edit-friendly for shorter spots.