Soultown

Mid-uptempo vintage soul in G with lead male vocal, handclaps, organ pads and horn stabs over a warm rhythm section. Cheerful and lightly romantic with a reflective undertow, and short enough at just over two minutes to sit under a single scene or trailer segment.

The fastest vocal cue here at 140bpm in E, driving handclaps, piano and fuzz-toned electric guitar behind a male lead. Happy, celebratory and forward-moving, ideal where a scene needs an immediate lift.

Instrumental soul groove in G with muted trumpet lead, rimshot-driven drums, bass and background vocal colour rather than a lead singer. Cheeky and cool, with a slow-dance swagger that leaves room for dialogue or narration.

Short, funky homecoming cue in E with male lead vocal, piano and a tight guitar-bass-drums pocket. Groovy and warm at 1:40, sized for a quick montage or a tag at the end of a spot.

Instrumental uptempo soul in F at 136bpm led by a full horn section over piano and punchy drums. Happy, funky and relentlessly upbeat, built for chase-energy fun or a fast-cut sequence without competing vocals.

Slow 80bpm soul ballad in F with background vocals, clean electric guitar and unhurried bass and drums. Dreamy, mellow and romantic across three-plus minutes, the classic prom slow-dance feel.

Laid-back 100bpm instrumental groove in E where a theremin adds an odd, cheeky topline over guitar, bass and beat. Funky and relaxed with a slightly kooky edge that suits comedy rather than straight romance.

The darkest cue on the album: 109bpm in B with organ, congas, bongos and claps driving a psychedelic funk groove. Chase-ready and nocturnal across three and a half minutes, suited to grittier urban night footage than the album's cheerier tracks.

Instrumental city-funk groove in G with horns, piano and bongo percussion over a strutting rhythm section. Sexy and confident, under two minutes, tailor-made for a walk-through-town sequence.

100bpm soul funk in D with horns, handclaps, percussion and supporting vocals rather than a full lead performance. Inspiring and happy with a steady groove that holds for over three minutes, useful where a longer bed is needed.

The album's long-form groove: 5:34 at 94bpm in B flat, stripped to drums, bass, electric guitar and claps with no lead vocal. Cool and endlessly funky, built to be looped or cut freely under extended footage.

Slowest cue here at 70bpm in F, a soul ballad with organ, clean electric guitar, claps and easy drums. Laid back and quietly romantic with a cheeky edge, good for an intimate two-hander or a tender close.