Summer Vacation
32 cues
B minor disco house at 121bpm with organ and Rhodes chords, string lines and mixed male/female vocal fragments over a steady 4/4 kick and funk guitar. Slightly warmer and more romantic in feel than its siblings, good for couples-in-the-city footage or a feel-good nightlife sequence.
A 118bpm A minor cue with a reggae-tinged upstroke feel, acoustic guitar, bongos, drums, claps and bass topped by a bright trumpet line and warm synth. The soulful, funky lilt is the most overtly feel-good moment on the album, suiting beach bars, diner scenes and easy-going comic interludes.
The warmest and most romantic track on the album: 119bpm in E minor, with electric guitar added over the 4/4 kick, synth bass and glitched vocal chops. Emotional and love-leaning rather than purely club-driven, so it fits couple footage, golden-hour beach scenes and relationship-focused storytelling.
The most relaxed cue on the set at 105 BPM in bright D major, built on a four-on-the-floor kick, claps, clean guitar figures and chopped vocal samples over warm synth pads. It sits in a sunny, strolling lifestyle groove rather than a hard-driving one, making it the best fit for summer holiday footage, couples, and slower-cut brand storytelling.
Funky 92bpm cue in F minor where Rhodes and Hammond electric keys sit against electric guitar, trumpet lines and a laid-back hip hop drum groove. Slyly cool rather than aggressive despite the title, and at 2:52 it gives room for a caper-style scene or a slow-motion entrance.
A bright 102bpm indie-folk instrumental-leaning cue in G, built on strummed acoustic guitar, claps, a four-on-the-floor kick and strings, with chopped glitch vocal textures as hooks rather than a lead vocal. At 2:18 it's a tight, advert-length arc that opens sunny and lifts to a confident final chorus.
The album's most colourful cue, pairing marimba and strings with synths over a fast 140bpm beat in major-key F. Happy and lightly inspiring, with more melodic movement than its neighbours across 2:09. Best for upbeat teen and family-facing summer content or a feel-good closing montage.
The most upbeat and least sentimental track here: 120 BPM in E minor with saxophone riding piano, bass, handclaps and drums, and no strings or vocals to soften it. A tight two minutes of playful, funny-scene energy for comedy edits, quirky product reveals and social ads.
The brightest cue here: 108bpm in D minor with an arpeggiated synth figure over synth bass and a light downtempo beat, playful rather than moody. Its short 2:58 runtime and feel-good bounce suit summer travel and vacation content that still wants a cool electronic sheen.
Bright four-on-the-floor club house at 126 BPM in A flat, built from stacked synths, tight percussion and chopped vocal samples over a driving bass. It stays sunny and uncomplicated across two and a half minutes, arriving at a clear peak rather than sitting in a bed. Cut it to rooftop party footage, festival crowds or a summer fashion spot.
A 120bpm E minor deep house groove with acoustic guitar, bass and piano under a lead female vocal, with strings and a saxophone line adding a jazzy, late-sunset gloss. Warm and flirtatious rather than peak-time, it suits footage of a beach party easing into evening.
The slowest cue on the album at 82 BPM in B flat minor, and the only instrumental-leaning one, with vibraphone and horn/brass lines over a laid-back reggaeton beat. Sunny and playful despite the minor key, and the lack of a listed lead vocal leaves it usable under dialogue or narration.
At 116bpm this is the fastest and shortest cut on the set, a tight 3:08 of driving beat, funky bass, bright synths and rhythm guitar with sampled oohs and ahhs. C minor keeps an edge under the warm, sun-soaked title, making it the best pick for high-energy cutaways and quick montages.
A short, sunny 90bpm groove in F# with electric guitar, electric piano, piano, claps and rounded bass — essentially the warm, guitar-led counterpart to the synthier track at the same tempo. Soulful and easygoing across 2:47, it lands cleanly and never builds to a peak.
A brisk 120 BPM servikos in D minor, with bouzouki carrying the tune over accordion, upright bass and strummed acoustic guitar, played by live musicians. Bright and celebratory despite the minor key, and short enough at just over two minutes to cut cleanly into a montage of village dancing or a taverna evening.
Same 116bpm and key of E as its neighbour but leaner, built on ukulele, acoustic guitar, bass, shaker, claps and a whistled hook over a full drum kit. Free-spirited and breezy, holding one confident level rather than swelling. Works for road trip footage, outdoor apparel ads and carefree youth-oriented content.
The title cue: a 120bpm synthpop-pop hybrid in C# where synth pads and pulse sit under acoustic guitar, dulcimer, percussion and a full drum kit. Bright, summer-forward and ad-ready, with an uplifting arc that lands by 2:44.
Disco house at a relaxed 110bpm in A minor, built on a four-on-the-floor kick, funk bass and sweetened disco strings with chopped vocal fragments used as hooks. The mood is late-evening and flirtatious rather than peak-hour, holding a steady groove across three minutes.
The fastest cue on the album at 147 BPM, a bright F major synthwave chase built on driving analogue bass, punchy programmed drums and layered lead synths. Upbeat and uncomplicated rather than brooding, it keeps a single high-energy gear across three minutes. Suits fast-cut sports, arcade and nightlife footage.
A 100bpm C minor groove with flute and xylophone lines floating over piano, synth bass and chopped vocal FX, giving it the airiest, most tropical colour on the record. At 2:19 it is a compact, sun-drenched bed for warm-weather advertising.
The fastest-feeling of the guitar-band cues at 170 BPM in C, built on a driving drum kit, busy bass and bright electric guitar with no keyboards to soften it. Sunny, teen-coded and relentlessly forward-moving across 2:45, suited to surf, skate and summer road footage.
A fast 182bpm punk-flavoured rock romp in C with driving electric guitar, bass, drums and claps, offset by vibraphone and organ for a playful wink. Under two minutes, it's the shortest and one of the most hyperactive cues here, ideal for quick-cut comedy.
Short, bright 95 BPM C major spot built on claps, stomps, marimba, mandolin and playful piano with light strings — deliberately naive and toy-like. At 1:40 it is cut to advertising length for family, kids and feel-good retail messaging.
The most overtly playful cue here: 122bpm acoustic guitar in E with bouncy organ, bongos and walking bass, aimed squarely at cheerful, comedic and kid-friendly picture. Light-footed and cute, good for animated explainers, toy or snack advertising and light domestic comedy beats.
A bright G-major acoustic guitar stroll at 118 BPM, carried by hand percussion, a whistled hook and a light saxophone line for a slightly wry, comedic lift. Under two minutes and cheerfully self-contained, it suits everyday-life storytelling where the tone is warm but never sentimental.