A slow, laid-back 81bpm cue in G with beat, electric guitar, synth and vocal samples — the coolest and least frantic thing on the album, quirky but unhurried. Good for waiting and pausing moments, deadpan cutaways and understated narration beds.
The most tender cue here, and the shortest at 1:32: piano, beat, synth and a vocal sample at 117bpm in E flat, warm and romantic with a dramedy tilt. Its brevity and gentle lead make it a natural opening title, first-meeting scene or short intro sting for lifestyle content.
A 110bpm B flat comedy groove that swaps the album's usual vocal chops for strings and horns alongside synth, guitar and beat, giving it a slightly orchestral, cartoon-caper flavour. Broad and silly, it works for slapstick sequences, animated shorts and light-hearted brand storytelling.
Guitar-and-synth funk at 125bpm in G with bass, beat and vocal samples, tagged both silly and sexy — an over-the-top strut with a wink. Suits mock-infomercial comedy, gym and grooming ads played for laughs, and confident character entrances.
A live-feeling funk break at 100bpm in A minor: drums, bass, Rhodes and Hammond organ, horns, scratching and male vocals, the most band-oriented arrangement here. Short and struttingly cool, it fits catwalk footage, retro dance sequences and stylish scene-setting.
The slowest and most emotional cue on the record: 86bpm in A minor, with harmonica, acoustic guitar and male vocal samples laid over a downtempo beat and scratching. Moody and heartfelt with a dusty western loneliness, it suits sunset drives, reflective documentary passages and solitary character introductions.
A 110bpm B flat funk cut distinguished by vocoder alongside synth, bass, guitar and beat, giving it a robotic, disco-flavoured hook. Smooth and playful, it works for retro-futurist tech content, dancefloor sequences and comedy that needs an electro sheen.
Playful funk-electronic groove at 120bpm in A minor with synth, bass, electric guitar and vocal samples over a solid beat, sitting between the sexy and the silly ends of the album. Confident and bouncy, good for confident-walk footage, party recaps and cheeky product reveals.
The sultriest track here and the longest at nearly three minutes: 110bpm in B minor with a laid-back funk groove, electric guitar, bass, beat and female vocal samples. Seductive and cool rather than comedic, suited to late-night bar scenes, fashion films and slow-motion glamour footage.
A leaner, funkier comedy cue at 120bpm in G: just beat, synth and chopped vocal samples, with fewer layers than its neighbours and a deadpan, quirky attitude. The stripped arrangement leaves more room over the top, making it useful under narration for blooper reels and awkward-moment cutaways.
Banjo and turntable scratching over claps, beat and piano at 125bpm in D, the brightest and most overtly funny of the country mash-ups. Fast, sunny and cartoonish, it suits fish-out-of-water comedy, farm or fairground footage and speeded-up gag sequences.
A country-electronic hybrid at 110bpm in E flat, pairing banjo, dobro and acoustic guitar with programmed beats, scratching, horns and vocal samples. Relaxed but grooving, and the longest of the hoedown-flavoured cuts, giving room for rural travel footage, barbecue and small-town lifestyle sequences.
The album's caper track: 120bpm in E minor with synth, bass, turntable scratching, organ, horn stabs and guitar over a strutting beat, tagged for heist as well as comedy. Cool and mischievous with a cartoon-crime strut, it fits sneaky planning scenes, pranks and pickpocket-style reveals.
Synth-led club-flavoured cue at 128bpm in G minor, with pumping bass, four-on-the-floor beat and hooky vocal samples driving it forward. Feel-good and slightly tongue-in-cheek, it suits footage of people leading the camera somewhere — city walking shots, follow-cam sequences, nightlife arrivals.
A 130bpm electronic mash-up in A minor built on driving beats, electric guitar riffs, chopped vocal samples and stabbing horns, with a wide-open frontier swagger to match the title. The energy is immediate and comedic rather than menacing, and at under two minutes it works as a short, punchy montage bed for chase gags, road trips or competitive reality edits.