A 130bpm pop-rock cue in C built on electric guitar, bass, drums and handclaps, with bells, organ and synth adding a bright top layer. Steady and confident rather than frantic, it holds a consistent feel-good drive across just over two minutes and lands cleanly at the end.
A fast 182bpm punk-flavoured rock romp in C with driving electric guitar, bass, drums and claps, offset by vibraphone and organ for a playful wink. Under two minutes, it's the shortest and one of the most hyperactive cues here, ideal for quick-cut comedy.
Country rock at 153bpm in G, with fiddle riding over electric guitar, bass, drums, claps and synth for a quirky, comedic western swagger. Lively and tongue-in-cheek throughout, it works best where humour and rural Americana meet.
The most relaxed tempo on the album at 116bpm in G, blending country, pop and rock with electric guitar, bass, drums, claps and synth. At 2:36 it's also the longest cue, giving room for a gradual, sunny build and a resolved finish.
Straight-ahead feel-good rock at 180bpm in C, stripped to electric guitar, bass, drums, claps and synth with no ornamental instruments. Two minutes of consistent forward momentum that makes a reliable, uncomplicated bed of positive energy.
A mid-tempo 125bpm rock cue in G, the only track here with horns, joined by organ and piano over electric guitar, bass, drums and claps. That brass-and-keys combination gives it a soulful, retro feel-good character rather than the album's punk pace.