45 cues
A 112bpm big-beat funk cue in G minor built on breakbeat drums, a fat bass line and horn stabs, with chopped vocal samples used as hooks. Struts rather than sprints — the swagger of the title comes from the brass punctuation and guitar rhythm work over a steady mid-tempo groove. Suits a playful brand spot that needs attitude without frenzy.
A 118bpm A minor cue with a reggae-tinged upstroke feel, acoustic guitar, bongos, drums, claps and bass topped by a bright trumpet line and warm synth. The soulful, funky lilt is the most overtly feel-good moment on the album, suiting beach bars, diner scenes and easy-going comic interludes.
B minor disco house at 121bpm with organ and Rhodes chords, string lines and mixed male/female vocal fragments over a steady 4/4 kick and funk guitar. Slightly warmer and more romantic in feel than its siblings, good for couples-in-the-city footage or a feel-good nightlife sequence.
A cheerful 90bpm funk-soul number in A major with organ, trumpet and full horns over drums, bass and electric guitar — the most overtly period-retro cue in the collection. Fun and confident across 2:29, suited to anything that wants an unmistakable seventies lounge stamp.
A leaner 105bpm E minor trip hop groove built on guitar, keys, bass, synths and vocal texture, with no brass or strings to thicken it. The stripped instrumentation and hazy shoegaze edge suit early-morning footage and gently optimistic transitions.
A mid-tempo 116bpm breakbeat groove in E minor with a looser, more relaxed swing than the album's faster cuts, driven by drums and percussion over a sustained drone with wordless oohs and aahs floating behind the beat. Retro seventies flavour with a slightly shadowy tint, suited to forward motion rather than confrontation.
A 100bpm retro big beat groove in A flat built on breakbeat drums, a rubbery bass line, scratchy electric guitar and a vintage organ that carries most of the character. The organ colour and slightly slower tempo give it a cheeky, sneaky-comic feel over the album's brighter siblings, and at 1:29 it fits a short ad cut without trimming.
The darkest cue on the album: 109bpm in B with organ, congas, bongos and claps driving a psychedelic funk groove. Chase-ready and nocturnal across three and a half minutes, suited to grittier urban night footage than the album's cheerier tracks.
The sultriest track here and the longest at nearly three minutes: 110bpm in B minor with a laid-back funk groove, electric guitar, bass, beat and female vocal samples. Seductive and cool rather than comedic, suited to late-night bar scenes, fashion films and slow-motion glamour footage.
A 90bpm hip hop groove in F# minor built on a laid-back beat, warm synth bass and chopped vocal FX used as a hook rather than a lead vocal. The Latin-flavoured title and after-dark mood make it a natural bed for nightlife footage; at 2:28 it stays in one confident pocket rather than building.
Synth-led club-flavoured cue at 128bpm in G minor, with pumping bass, four-on-the-floor beat and hooky vocal samples driving it forward. Feel-good and slightly tongue-in-cheek, it suits footage of people leading the camera somewhere — city walking shots, follow-cam sequences, nightlife arrivals.
The album's title cue and its longest at 1:47: a 105bpm minor-key funk strut with breakbeat drums, fat bass, wah-adjacent electric guitar, a flute line for seventies flavour and vocal samples punctuating the groove. The A minor tonality gives it more attitude and swagger than the major-key tracks, with room to develop across a full montage.
The slowest-leaning of the hip hop flavoured cuts at 103bpm in C minor, and the only track here with bass listed — a fat low end under head-nod drums, percussion, drone and pulse. Struttier and more advertising-ready than the breakbeat tracks, with room over the groove for copy or narration.
120 BPM in F# minor, built on filtered guitar, piano stabs, synth and vocoded lead, with a glitzy, moneyed feel that matches the title. Three minutes of steady dance-floor momentum with no big drop-outs, so it works as a continuous bed for a party sequence.
Beethoven's Fifth flipped into a 115bpm C minor disco romp, funky drums and bass under the famous motif for maximum kitsch. Party energy, tongue firmly in cheek, dramatic minor-key strings against a four-on-the-floor feel. Ideal for roller disco footage, retro fitness ads and comedic period pastiche.
Faster and brighter than the hip hop cuts here, a 115bpm big-beat sports anthem in A major with guitar riffing over a hard-hitting drum break, driving bass and crowd-style vocal shouts. Short at 2:09 and built for arena energy rather than nuance.
The album's fastest cut at 128bpm in Eb minor, built on tight drums, a walking funk bassline, stabbing organ and horn punches with cowbell and breath-style percussion accents rather than bongos. Two minutes of relentless forward motion with a cheeky retro strut, ideal for fast-cut fashion or comedic bustle.
Funk-leaning hip-hop instrumental with a springy bassline feel and a swaggering mid-tempo strut. Across 2:32 it keeps a confident, danceable pocket rather than building to a peak. Good for fashion and product reveals, comedy walk-and-talks and retro-styled ad spots.
A slower, funkier tech-house groove at 114 BPM in F#m, built on chopped vocal samples, filtered synths and a springy bassline over a steady 4/4 kick. Its 6:28 length gives a long DJ-style build and breakdown, useful when you need the groove to run under a whole scene.
A mellow, playful 90bpm cue in F# minor pared back to beat, synth and piano — the same tempo and key as the album opener but softer and more romantic in tone. Short at 2:19 and sparse enough to carry narration over bar, brownstone or neighbourhood footage.
A live-feeling funk break at 100bpm in A minor: drums, bass, Rhodes and Hammond organ, horns, scratching and male vocals, the most band-oriented arrangement here. Short and struttingly cool, it fits catwalk footage, retro dance sequences and stylish scene-setting.
Straight-ahead retail funk at 127bpm in Eb minor, with organ, horn stabs, funky guitar and vocal shouts riding a bongo-and-cowbell groove. The most literally on-brief shopping cue here — bright, chant-driven and party-adjacent for high-street footage.
At 93bpm in B flat minor this is the most texturally distinctive track on the album, layering marimba, koto and electric guitar over a swaggering beat and synth bass. The east-meets-west palette and travel-ready title fit remote-work, city-hopping and tech-lifestyle edits.
A slinkier 115 BPM French house groove in F# minor, with piano and synth layered under guitar, bass and vocoded vocals. The minor key gives it a late-night swagger while the tempo keeps it strutting rather than sprinting — good for confident walk-ins and city nightlife.
A 95bpm groove in G with a warm, rolling southern riff, organ, harmonica and a mid-tempo beat. Title points to an open-road, first-light feel rather than nightlife, so it suits establishing shots and journey montages that still need swagger.
The fastest and busiest cue here at 108bpm in A major, pairing funk drums, bass and guitar with stabbing strings and chopped vocal samples for a caper-ish, wrong-turn energy that matches the title. Its 1:33 length and bright major key make it the most upbeat, forward-driving option on the album.
The album's fastest cut, a 130bpm breakbeat in C minor built on hard-hitting drums, layered percussion and a low drone with pulsing undercurrent, chopped vocal FX peppered across the groove. Cold, slightly eerie edge to the funk — more night-drive than sunshine — and long enough at nearly four minutes to carry a full sequence.
A compact 112bpm arena rocker in E minor with guitar, organ and horn hits stacked over a big beat and crowd-ready vocal shouts. Two minutes flat and relentlessly energetic, closer to a sports broadcast bumper than a hip hop instrumental.
The longest and most fully arranged track here: nearly four minutes at 115 BPM in A minor, with slap bass, horn punches, strings and vocoded vocals over a classic disco chassis. The extra length allows a full build and breakdown, making it the pick when you need a whole scene rather than a cutdown.
The longest cue at 3:12 and one of only two at 120bpm, sitting in bright F major rather than the album's usual minor keys — piano, electric guitar, synth and vocal FX over a steady club-leaning beat. The major tonality and affectionate title make it the most openly warm and flirtatious piece here.
A 127bpm G# minor groove whose title leans sly and tiptoeing — organ and muted guitar over bongos, cowbell and a prowling bassline, with horns for punctuation. Suits comic sneaking, heist-lite reveals and anything where mischief needs a beat behind it.
The slowest and loosest track at 118bpm, and one of only two in a major key (A), giving it a sunnier, hip-swaying feel than its minor-key neighbours. Organ, guitar, horns, bongos and cowbell lock into an unhurried retro groove across 2:08 — good for leisure and vacation imagery that needs warmth over urgency.
Bright 107bpm A-minor electro hip hop with turntable scratching, vocoded robot vocal and chopped male samples over synth bass and keys. Playful and hook-driven without a full lead vocal, so it can carry dialogue or presenter voiceover.