A 100bpm retro big beat groove in A flat built on breakbeat drums, a rubbery bass line, scratchy electric guitar and a vintage organ that carries most of the character. The organ colour and slightly slower tempo give it a cheeky, sneaky-comic feel over the album's brighter siblings, and at 1:29 it fits a short ad cut without trimming.
The fastest and busiest cue here at 108bpm in A major, pairing funk drums, bass and guitar with stabbing strings and chopped vocal samples for a caper-ish, wrong-turn energy that matches the title. Its 1:33 length and bright major key make it the most upbeat, forward-driving option on the album.
The album's title cue and its longest at 1:47: a 105bpm minor-key funk strut with breakbeat drums, fat bass, wah-adjacent electric guitar, a flute line for seventies flavour and vocal samples punctuating the groove. The A minor tonality gives it more attitude and swagger than the major-key tracks, with room to develop across a full montage.
At 110bpm in B flat this is the leanest and most rhythm-led cue on the album — drums, bass, electric guitar and percussion only, with no melodic topline instrument listed. That stripped, loop-friendly texture and its bubbly bounce leave the most space for narration or dialogue across its 1:36.
The shortest cue at 1:19, a 105bpm D minor groove reduced to drums, bass and strings — no guitar — so the string figure and the pocket carry it. Punchy and quick to the point, it suits a tight cutdown where a full arrangement would crowd the picture.