Classic East Coast boom bap at a head-nodding 90bpm, built on a minor-key piano loop, fat bass and turntable scratches with chopped vocal samples for punctuation. The C# minor tonality gives it a cool, slightly shadowy swagger rather than outright aggression, and at 2:48 it has room to ride a full montage.
Faster and brighter than the hip hop cuts here, a 115bpm big-beat sports anthem in A major with guitar riffing over a hard-hitting drum break, driving bass and crowd-style vocal shouts. Short at 2:09 and built for arena energy rather than nuance.
A determined 95bpm boom bap groove in A minor pairing piano stabs with brass accents, scratches and vocal samples over a thick bass and drum foundation. The brass lifts it into confident, victorious territory, making it the most triumphant of the slower cuts on the record.
Jazzy 90bpm boom bap in B minor where a smoky sax line and clean guitar trade over crate-dug drums, walking bass and vinyl scratches. At nearly three minutes it's the loose, late-night city cue of the set — more atmosphere and attitude than hook.
A compact 112bpm arena rocker in E minor with guitar, organ and horn hits stacked over a big beat and crowd-ready vocal shouts. Two minutes flat and relentlessly energetic, closer to a sports broadcast bumper than a hip hop instrumental.
The most exotic cue here: 90bpm E minor boom bap fusing clarinet and zorna snake-charmer melody lines and female chant vocals with guitar, scratches and heavy bass. At 3:07 it's the longest track on the album and the most distinctive in flavour, Eastern-tinged and hypnotic.
Tension-leaning boom bap at 90bpm in C minor, with tight sampled strings circling over a hard beat, deep bass, scratches and vocal stabs. The darkest and most suspenseful of the slow cuts, better for a build-up before the game than the celebration after.
The slowest groove on the album at 85bpm, an E minor head-nodder with horn and saxophone lines over guitar, laid-back drums, fat bass and scratches. Loose, soulful and old-school, it sits back in the pocket and leaves plenty of space above the beat.
A playful 95bpm D major break-driven cut with horns, flute and guitar bouncing over a prominent drum groove, bass and scratches. The major key and comedic streak make it the lightest, most upbeat track on the record — good for cheeky rather than tough footage.