The album's fastest cut, a 130bpm breakbeat in C minor built on hard-hitting drums, layered percussion and a low drone with pulsing undercurrent, chopped vocal FX peppered across the groove. Cold, slightly eerie edge to the funk — more night-drive than sunshine — and long enough at nearly four minutes to carry a full sequence.
A mid-tempo 116bpm breakbeat groove in E minor with a looser, more relaxed swing than the album's faster cuts, driven by drums and percussion over a sustained drone with wordless oohs and aahs floating behind the beat. Retro seventies flavour with a slightly shadowy tint, suited to forward motion rather than confrontation.
Playful 122bpm big beat in D minor, with drums and percussion riding a steady pulse and drone bed, punctuated by sound design hits. The title promises the album's lighter, cheekier side, but the minor key keeps a sly, mischievous undertow — good for capers and comedy with a slight edge.
The slowest-leaning of the hip hop flavoured cuts at 103bpm in C minor, and the only track here with bass listed — a fat low end under head-nod drums, percussion, drone and pulse. Struttier and more advertising-ready than the breakbeat tracks, with room over the groove for copy or narration.
A 105bpm hip hop groove in D minor and the longest sustained ride on the album at over four minutes, built from drums, percussion, drone and pulse with sound design accents. Steady and unhurried, it works as a bed rather than a statement, holding a scene together while dialogue or voiceover sits on top.
Shortest cue on the album at 2:49, a punchy 120bpm eighties-leaning big beat in C minor that leads with drums and percussion plus chopped vocal samples and FX — no drone, so it's the driest and most rhythm-forward of the set. Ideal where you need groove and a clean finish inside three minutes.
124bpm eighties big beat in C minor, tight at just over three minutes, with drums, percussion, a low drone and prominent vocal samples and sound FX. Harder-edged and more mechanical than the seventies hip hop tracks, with a repeating bar-based drive that suits fast cutting.
The album's title-adjacent centrepiece and its longest track at 4:18, a slow-rolling 101bpm hip hop groove in C minor led by drums over drone and scattered vocal samples and FX — sparse on percussion, so it breathes more than its neighbours. Warm but shaded, good for long-form narration or a slow reveal.
A fast 130bpm breakbeat in C minor with drums, percussion, drone and chopped vocal samples, and no sound-design layer listed — the leanest of the high-tempo cuts. The title's urgency suits countdown edits and time-pressure sequences over its 3:20 run.
124bpm breakbeat in C minor with a northern-soul nod in the title, driven by drums over drone with vocal samples and sound FX and no separate percussion layer — direct, stripped and dancefloor-facing. At 3:11 it's a compact, loop-friendly groove for cutting to picture.