Energized Beats

The album's title cue and its centrepiece: 135bpm in E minor, marrying fuzz-and-distortion rock guitar to breakbeat drums, synths and horn stabs. Tagged hyped, it is the most aggressive of the funk-based tracks and the longest at 2:44, leaving room for a full build and a hard landing.

The slowest-swinging groove here at 97bpm in F, built on a boom-bap beat, fat bass and horn stabs with male rap vocals over the top. Its title's turntable reference points to a dusty, retro-leaning feel, and the vocal lead makes it a foreground cue rather than an underscore.

Trap cut in A minor with heavy 808 bass, hi-hat rolls, pads and keys, plus male vocal ad-lib style samples and effects. Dark and modern, it holds a steady swaggering plateau rather than building to a peak.

The funkiest cut here: 127bpm neo-soul house with electric guitar, Rhodes and Hammond organ layered over a driving 4/4 kick and vocal samples. Short at 2:41 and celebratory in tone, its B minor groove suits a payoff moment rather than a background wash.

Laid-back 97bpm trap in C minor with a deliberate, calculating pulse from the 808 bass and sparse brass hits. Nearly two minutes of restrained tension suits strategy, decision-making and pre-action scenes.

124bpm breakbeat in C minor with a northern-soul nod in the title, driven by drums over drone with vocal samples and sound FX and no separate percussion layer — direct, stripped and dancefloor-facing. At 3:11 it's a compact, loop-friendly groove for cutting to picture.

A confident 96bpm East Coast beat in G# with punchy horn stabs over hard drums and bass. Built for swagger — streetball, sneaker culture and any highlight reel that needs strut.

A minor-key future bass driver at 144 BPM in G minor, tighter and grittier than its major-key siblings, with edgy electric guitar, brass hits and a hard programmed beat across a compact 2:52. The tone is defiant rather than sunny — resilience after setback.

124bpm eighties big beat in C minor, tight at just over three minutes, with drums, percussion, a low drone and prominent vocal samples and sound FX. Harder-edged and more mechanical than the seventies hip hop tracks, with a repeating bar-based drive that suits fast cutting.

The fastest and shortest cut on the album: 155bpm in E minor, driven by hard trap drums, claps, low-pitched sub hits and brass stabs. At 2:07 it works as a compact, aggressive burst for fast-cut action rather than a long-form bed.

A laid-back 95bpm groove in D with jazzy piano chords, strings and chopped vocal samples riding a fat bass and vintage drum kit. Slinkier and smokier than its neighbours, it works for night-time city footage and anything with a flirtatious edge.

The most propulsive cue on the set: a 106bpm beat in bright D with piano figures, pads and synth over a firm bass, pushed forward with an urgent, forward-leaning pulse. Male vocal presence sits inside the groove rather than dominating it, so it works as a driving lifestyle bed with a clear sense of arrival. Suits fashion and travel content that needs momentum without aggression.

A mid-tempo 116bpm breakbeat groove in E minor with a looser, more relaxed swing than the album's faster cuts, driven by drums and percussion over a sustained drone with wordless oohs and aahs floating behind the beat. Retro seventies flavour with a slightly shadowy tint, suited to forward motion rather than confrontation.

A 100bpm trap instrumental in F# minor built on sub-bass, pad washes and bright chime figures, with chopped vocal samples and sweep FX punctuating the beat. Cool and unhurried rather than aggressive, it suits image-led fashion and lifestyle footage where the groove carries the picture.

Fast and assertive at 151 BPM in E minor, combining driving percussion layers, electric guitar, brass stabs and future bass synth drops in a lean 2:52. The minor tonality gives it an edgy, self-questioning charge that still resolves confidently.

The most summery cut here at 110bpm in E, swapping jazz colours for a clean synth hook over crisp beat and bass. Fun and forward-moving from the top, it fits beach days, skate clips and any upbeat travel edit.

At 135 BPM in C minor this is the album's most restrained sports cue, letting the beat, guitar and brass sit in a confident mid-tempo pocket rather than pushing to full anthem tempo. Inspiring but shaded, good for reflective build sequences before a bigger cue takes over.

At 105bpm in F minor this is the fastest and most comedic-leaning cue on the set, pairing a hustling beat and scratches with piano stabs and cheeky male vocal samples. The minor key plus comedy tag suits underdog and rookie-blunder storytelling as much as straight action.

A short, wry 99bpm boom-bap cue built on pizzicato strings over a swung beat with chopped vocal samples, sitting bright in B flat. The tone is smirking and light rather than tough, and at under two minutes it works as a self-contained comic sting.

A 98 BPM minor-key groove in F minor with fiddle, violin and flute over dumbek and heavy bass, topped with male vocal chants. Cool and slightly haughty, matching the regal-but-playful title.

Half-time 80bpm trap stomper in A, heavy on toms, gang claps and mangled vocal FX for a lumbering, gorilla-sized swagger. The slow tempo gives every hit maximum weight, ideal for slow-motion muscle and comic menace.

Stripped to essentials — beat, shaker and a whistled melodic hook — this 94bpm C major cue is the most playful and least dense on the record. Its light, cocky bounce works for comedic swagger and product reveals that need attitude without heaviness.

A bouncy 90 BPM West Coast throwback in E flat minor, built on a snapping clap-driven beat with brass stabs and bell figures over the top. Playful and struttingly confident rather than menacing, with a summer party swagger that suits comedy edits as much as club footage.

A funk-leaning 100bpm groove in D driven by horn hits over a tight beat and bouncing bass — the most overtly retro-funk cut of the set. Good for playful, high-energy edits that want brass punctuation on the cuts.

Old-school hip hop cut at 90bpm in C minor, built on a bouncy boom-bap beat with turntable scratching, chopped male vocal samples and a looping piano riff. The minor key gives it a slightly tougher, cooler edge than the major-key tracks around it, suiting player intros and highlight reels.

Funk-leaning hip-hop instrumental with a springy bassline feel and a swaggering mid-tempo strut. Across 2:32 it keeps a confident, danceable pocket rather than building to a peak. Good for fashion and product reveals, comedy walk-and-talks and retro-styled ad spots.

A 137 BPM future bass cut in E flat minor with a marching, mechanical pulse suggested by the title, driven by beat, brass accents, electric guitar and synth. Tight at 2:54, it fits tech and gaming content that needs forward momentum with a slightly dark edge.

A 90bpm E minor beat where harp arpeggios and airy synths float over sub-bass and a crisp trap kit, with vocal chops and FX filling the gaps. Four minutes of smooth, slightly wistful confidence for slow-motion and mood-driven cutting.

At 3:06 the longest cue on the album, a 90bpm E-key blues-hop groove built on a dirty distorted riff, organ and vocal samples. The mischievous title fits scheming, rivalry and setup footage, and the extra length gives room for a full reality-show act.

The most driving of the horn-led modern cuts, 102bpm in A minor with brass stabs, pitched vocal chops and a hard bouncing beat. Tight two-minute run and relentless momentum make it a natural fit for dunk compilations and fast-cut action.

At 94bpm in G minor this is the hardest-hitting slow trap cut here, stomps and claps landing wide with distorted synth bass and vocal stabs. Brief and blunt at just over two minutes, built for impact rather than development.

The most aggressive tempo on the album at 150 BPM in B minor, with electronic synths, chopped vocals, saxophone and a hard-driving beat under piano. Relentless and adrenal, built for game-day intensity rather than the album's softer moments.

A 96bpm B minor beat combining horn stabs, synths and male vocal samples for a tense, tournament-stakes feel. Shortest cue on the album at two minutes flat — efficient for promos and countdown packages building to a big game.

A 120bpm A minor hybrid of trap and future bass, mixing didgeridoo drone and stomps with claps, toms and distorted vocal chops. The most straightforwardly danceable tempo here, with a slimy, tongue-in-cheek bass tone.

The album's most upbeat cut at 99bpm in A, pairing a gritty guitar riff and harmonica with a punchy beat and vocal-sample hooks. Hot, lazy-South imagery in the title but the tempo keeps it brisk and fun — good for sunny outdoor footage and quick-cut reality edits.

The slowest and heaviest cue here at 74bpm in F minor, with horns, synths and male vocal samples over a wide, dragging beat. That half-time swagger suits slow-motion replays, stat-reveal graphics and cool-headed voiceover.

The longest cue on the record at 2:39, leaning future bass: 115bpm in major-key G# with layered synths, extra percussion detail and processed vocal samples. Slick and unhurried, built for polished urban imagery and long-form edits that need a single unbroken groove. Ends the sequence of luxury cues on its most electronic footing.