Old School Hip Hop

A short, wry 99bpm boom-bap cue built on pizzicato strings over a swung beat with chopped vocal samples, sitting bright in B flat. The tone is smirking and light rather than tough, and at under two minutes it works as a self-contained comic sting.

The longest cue here at nearly four minutes, a 105bpm A minor groove led by electric bass, organ stabs and guitar with old-school record scratches and vocal sample punctuation. It has more dramatic weight than the comedy cues but keeps a funky strut, and the length allows for edits over long-form footage.

A slow, heavy 80bpm G minor head-nod with a hooky whistle melody over distorted drums and percussion. The whistle carries the cue, so it reads as cheeky and confident — ideal for a swagger walk or a comic heist setup.

Four minutes of laid-back 89bpm hip hop in B, pairing pizzicato strings and organ with a steady beat and vocal sample hooks. Its length and even, unhurried groove make it a workhorse underscore rather than a punchline cue.

A compact 88bpm G minor beat driven by synth, claps and a round bassline, cool-headed with a gambling-table cockiness suggested by the title. Under two minutes and loop-friendly, it stays sly rather than escalating.

The shortest cue on the album, a 1:45 cruise at 87bpm in E minor with synth, bass and vocal sample over a relaxed beat. Its rolling, windows-down feel suits driving footage and quick edit spots.

An 89bpm C minor beat with synth, piano and bass under chopped vocal samples; the imperative title points to forward motion and a call to action. Two minutes of steady, confident groove without dramatic escalation.

The fastest of the funky cues at 137bpm in F minor, with synth, piano, bass and vocal samples pushing a double-time hip hop pulse; it is also tagged for holiday and Christmas use, so the piano figure carries seasonal connotation. Playful and quick, it works where a festive track needs street attitude.

The mood pivot on the album: a dark 83bpm E minor beat with brooding synth, sub bass and sparse piano, haunting rather than fun. Its two-minute length and open texture make it a natural dialogue and narration bed.

A driving 147bpm G minor cue with organ, vocal samples, bass and synth over a fast beat, moody and investigative in tone despite the tempo. The pace and unsettled harmony suit a case-building sequence or a payoff that still feels dangerous.

A brisk-feeling but slow-tempo 85bpm cut in B flat minor where horns and trumpet stabs sit over beat, bass and synth with vocal sample chops. The brass gives it the sharpest hook of the funky cues, and at 1:43 it is built for tight edits.

A 100bpm E flat minor after-hours groove with organ, synth, bass and vocal samples, balancing the album's funky swagger with a moodier, more emotional edge. Two minutes of smoky night-time atmosphere that stays cool rather than aggressive.