The most propulsive cue on the set: a 106bpm beat in bright D with piano figures, pads and synth over a firm bass, pushed forward with an urgent, forward-leaning pulse. Male vocal presence sits inside the groove rather than dominating it, so it works as a driving lifestyle bed with a clear sense of arrival. Suits fashion and travel content that needs momentum without aggression.
Slow 79bpm trip-hop in B flat built on a laid-back beat with claps, warm bass, piano and processed vocal samples for an ethereal, intimate haze. Romantic and slightly bruised in tone, matching the title's sense of a relationship going quietly wrong. Good for late-night two-handers and slow-burn drama.
At 92bpm in A, the longest of the mid-tempo indie-electronic cues, pairing piano and strings with a downtempo beat, bass and treated vocal samples. The major key and inspiring tag give it a hopeful lift under the moody surface — a fresh-start feeling that suits reflective narration. Its four-minute length leaves room for a full arc in a montage.
The title cue and the album's clearest statement of mood: saxophone over Rhodes, Hammond, piano and a 92bpm beat in E minor, jazzy and deliberately sleazy. Trippy and psychedelic in flavour, short at under three minutes, it plays like a smoky lounge walkthrough. Ideal for neon-lit night interiors and stylised character introductions.
Dark and introspective at 96bpm in A flat minor, with strings and piano over a downtempo beat, vocal samples and wordless ooh-and-ahh backing voices. No lead male vocal here, which makes it the more cinematic and atmospheric of the moody cuts. Suits interior monologue, surveillance footage or a slow reveal.
Pure instrumental trip-hop at 80bpm in E flat, with Rhodes and Hammond warmth, piano, live percussion, strings and a lazy beat — no lead vocal at all. Chill, ethereal and intimate, romantic without becoming sentimental. A dependable underscore bed for narration or dialogue at a slow, sensual pace.
The band-leaning cue of the album: 97bpm in E minor with acoustic and electric guitar joining piano, synth, strings and a downtempo beat, plus male vocals. Emotional and somber but tagged inspiring, so it carries a resolving lift across its four minutes. Fits confessional relationship narrative and end-of-episode reflection.
Haunting 92bpm trip-hop in F minor where 808 sub-bass sits under Rhodes, Hammond, piano and strings. Darker and heavier low-end than its neighbours, with an intimate, claustrophobic feel that matches the title's nine-to-five weariness. Works for urban routine montages and quietly bleak character beats.
The fastest cue at 123bpm in B flat, but still dark and haunting rather than energetic: a drone underpins piano, strings, percussion, lone trumpet and choir over the beat. The trumpet and choral texture give it the widest cinematic scope on the album, suiting time-lapse and passage-of-time editing. Good for a documentary sequence that needs to cover distance.
Dreamy and slightly playful at 97bpm in E flat, with piano, bass, hand percussion and choir over a soft beat — the lightest-hearted cue here. No male lead vocal, and its four-minute length makes it a patient, unhurried bed for narration or slice-of-life footage. Suits everyday domestic and small-moment storytelling.