Drip The Beat

A 100bpm trap instrumental in F# minor built on sub-bass, pad washes and bright chime figures, with chopped vocal samples and sweep FX punctuating the beat. Cool and unhurried rather than aggressive, it suits image-led fashion and lifestyle footage where the groove carries the picture.

The album's title cue and its fastest, at 132bpm in D major, pairing bells and a flute hook with risers and impact hits over a hard trap kit. Nearly four minutes of forward-leaning swagger, with the FX build-ups giving editors natural lift points.

A slow 80bpm beat in A minor centred on a sustained organ line, sparse hits and scattered vocal chops, giving it a churchy, brooding weight. The four-minute length and open arrangement leave plenty of room for narration or a rap performance.

Stripped to essentials — beat, shaker and a whistled melodic hook — this 94bpm C major cue is the most playful and least dense on the record. Its light, cocky bounce works for comedic swagger and product reveals that need attitude without heaviness.

At 77bpm in C, this is one of the slowest and longest cues here, resting on a looping drum programme and simple synth figures with little melodic movement. Its repetitive, laid-back frame is built to sit under dialogue or narration for long stretches.

An 89bpm C major beat that adds guitar and female vocal lines plus vocal chops to the trap kit and synths, making it the most song-like cue on the album. The sung element gives it emotional pull for relationship or personal-story footage.

A 90bpm E minor beat where harp arpeggios and airy synths float over sub-bass and a crisp trap kit, with vocal chops and FX filling the gaps. Four minutes of smooth, slightly wistful confidence for slow-motion and mood-driven cutting.

The shortest cue on the album at under three minutes: 100bpm in F minor with just beat and bell melody, minimal and dark-edged. Tight enough to drop straight into a short-form edit that needs immediate attitude.

An 84bpm B minor beat that drops in without preamble, layering bells and flute over delayed synths, kick and bass with vocal chops woven through. Moody and hypnotic across four minutes, useful where you need a groove to establish quickly and hold.

The slowest cue at 73bpm in G# minor, driven by deep 808 sub-bass with bell figures and synth pads over a half-time beat. Hazy and hypnotic, it fits introspective or unsettled scenes where the low end does most of the emotional work.