32 cues
87 BPM in G, a laid-back but tightly locked funk-soul groove with bass, drums, electric guitar and brass punctuation, saxophone carrying the smooth lines. Title and pace suggest the vault job itself — deliberate, unhurried, pleased with itself. At 2:29 it's one of the roomier cuts and sits closest in feel to the 85 BPM strut.
128bpm in E minor, matching the album's uptempo action tier but pitched darker and more furtive, with bongos, funk kit, guitar, organ and stabbing horns. Good for the middle of the job — moving fast while trying not to be seen, tension played for laughs.
At 90bpm in A minor this is the slowest and most sultry track here, a loping spy-funk groove of bongos, drums and bass with flute, electric and acoustic guitar, synth and male vocal colour giving it a worldly, exotica edge. The half-tempo swagger and 2:28 running time make it the best fit for surveillance, seduction or a deliberately absurd stakeout.
A cheerful 90bpm funk-soul number in A major with organ, trumpet and full horns over drums, bass and electric guitar — the most overtly period-retro cue in the collection. Fun and confident across 2:29, suited to anything that wants an unmistakable seventies lounge stamp.
The fastest and sunniest cue on the set: 160bpm surf-tinged garage rock in bright A major, driven by kit, walking bass, twangy electric guitar and vintage keys. No mystery angle here — it's pure snack-ad silliness that runs hard from the top and lands on a clean button.
A 111bpm G minor spaghetti-western romp built on mariachi-style trumpet, twangy electric guitar, organ and a warbling theremin over busy drums and bass. Playful and comic rather than menacing, with a brisk chase-scene push that suits a wedding gone wrong or a caper montage.
A 120 BPM C minor cocktail-jazz house groove with piano, guitar and saxophone circling over a steady club beat, the title's fairground spin suggested by its looping, playful feel. The fullest instrumentation on the album and a tidy three and a half minutes.
At 170bpm in G this is the album's flat-out chase, driving bongos and drums under fast horn figures, guitar, strings and a synth line for spy-movie edge. Energized start to finish with little let-up — cut it against foot pursuits, getaway driving or rapid-fire quick cuts.
A mid-tempo 105 BPM strut in F pairing male and female Punjabi lead vocals with twangy reverb-soaked surf guitar, a fat funk bass line and tabla-driven groove. Struts rather than sprints, with a sly, sexy comic swagger built for slow-motion entrances and spaghetti-western-style stand-offs.
A New Orleans-style read of the New Year's standard at a strolling 108bpm in F, with barrelhouse piano, clarinet and a full brass front line of trumpet, trombone and tuba over upright bass and sleigh bells. It moves from a relaxed jazz-band saunter to a warm collective chorus that lands squarely for a countdown or last-call toast.
The most relaxed of the album's brass-led arrangements, sitting at 84bpm in F with saxophone and trumpet trading the hymn melody over dusty piano, ukulele, nylon guitar, tuba and shuffling drums. Cheerful but unhurried, it works as a wide-smile background bed that still resolves on a proper band cadence.
The fastest cue here at 165bpm in G minor, all surf guitar, screaming organ, horn punches and theremin over a galloping beat. Energetic and playful with a comic edge — cut it to a beach chase, a montage of near-misses or a high-speed comedy sequence.
A strutting 107 BPM funk walk in C minor built on bongos and congas over a fat bass line, with trumpet and trombone punching out the hook. The swagger is comic rather than menacing — a character introduction rather than a chase. Suits the moment a crew member is introduced with a name card, or a slow-motion entrance through a casino lobby.
An F minor 127bpm workout and the longest cue at 2:10, distinguished by crowd sounds layered under the vocal shouts, organ, horns and bongo-cowbell groove. The added crowd gives it a live party lift for club, event and celebration footage.
A playful 95bpm D major break-driven cut with horns, flute and guitar bouncing over a prominent drum groove, bass and scratches. The major key and comedic streak make it the lightest, most upbeat track on the record — good for cheeky rather than tough footage.
A 182 BPM surf-rock chase in C# carried purely by guitar, bass and drums with no vocal hooks, which leaves the top end clear for narration. Title's spy-caper angle suits playful pursuit footage; the arrangement stays lean and driving across 1:44.
The fastest and brightest cue on the set at 120 BPM in A minor, driving hard on tabla and beat with surf guitar riffing over a flute counter-line and traded male/female vocals. Energetic and happy with a chase-scene urgency that suits foot pursuits and dancefloor cutaways.
A 110bpm C major mash of sitar with mariachi trumpet, horns, organ and vintage guitar over a boogie rhythm section. Cheerful, funky and deliberately exotic-kitsch, ideal for a globe-hopping travel cut or a Bollywood-tinged comedy scene.
A brisk 120bpm retro soul groove in E with bongos and layered percussion under punchy horn stabs, wiry guitar and strings. At under two minutes it works as a compact caper cue — crew assembling, walking into the casino, plan in motion — with enough drive for a light chase without tipping into full action.
The same vibraphone-and-upright-bass lineup as its slower neighbours pushed to a tight 137 BPM in C minor, with drums and hand percussion driving hard under organ. Fast, tiptoeing and tense-but-fun, aimed at the crack-the-vault beat of a caper. Good for a break-in sequence, ticking-clock montage or a frantic comedic escape.
A country-electronic hybrid at 110bpm in E flat, pairing banjo, dobro and acoustic guitar with programmed beats, scratching, horns and vocal samples. Relaxed but grooving, and the longest of the hoedown-flavoured cuts, giving room for rural travel footage, barbecue and small-town lifestyle sequences.
The album's title cut and its most compact hit at 2:11, a 133 BPM romp in bright C major with full horns, organ, bass and busy bongos and congas. Major-key optimism gives it a triumphant, plan-coming-together lift rather than menace. Ideal for a main title, a heist executed successfully, or a fast punchy brand spot.
Alternate version of the 130 BPM C minor funk cut, this one fronted by a synth lead over organ, vibraphone, bass and a thick bed of bongos, congas and drums. Slick, deadpan and comic — action energy with a wink. Use for a stylised crew montage or an action gag; pick this mix when you want a more electronic, futuristic top line.