The fastest and sunniest cue on the set: 160bpm surf-tinged garage rock in bright A major, driven by kit, walking bass, twangy electric guitar and vintage keys. No mystery angle here — it's pure snack-ad silliness that runs hard from the top and lands on a clean button.
A 120bpm minor-key investigative romp with sly guitar figures, prodding piano and organ-adjacent keys over a steady 60s backbeat. The title's raised eyebrow is the mood: curious, cartoon-sleuth suspicion that keeps a light comic bounce rather than real threat, and its three-minute length gives room for a full scene.
The longest cue here, a 116bpm spy-comedy shuffle in B with organ added to the guitar, bass, drums and piano band for extra retro fairground colour. Whimsical and slightly daffy, it drifts and pokes along at an unhurried pace, good for sequences that need character rather than urgency.
A slower 87bpm take on the album's material, with acoustic guitar joining the electric, bass, drums and piano for a warmer, more relaxed vintage feel. As a reprise it works as the wind-down or epilogue after the faster cues — still playful, but reflective and shortest-form at just over two minutes.
The sparsest cue on the album — just drums, bass and electric guitar at 120bpm in F# minor, with no keys to fill the middle. That stripped trio and the hushed title make it the most usable of the set under narration: conspiratorial, minor-key sneaking music that stays out of the way.