A 95bpm G minor funk strut with bongos, kit drums, wiry electric guitar, organ and horn punctuation — the loosest, most swaggering tempo on the set. Reads as a payoff cue: the crew counting the cash, walking away in slow motion, comic self-satisfaction rather than danger.
The fastest and most driving cue here at 140bpm in C minor, pushing the album's bongo-and-horn funk into outright chase energy with strings adding urgent scrub and stab. Its 2:14 length keeps it lean — grab, run, out, with comic bravado rather than real threat.
A 100bpm A minor creeper built on bongos, brushed-cool drums, muted electric guitar, organ and sharp horn stings for punchline accents. The longest of the mid-tempo cues at 2:34, it suits tiptoeing investigation — searching an office, following a mark, the object nearly found.
128bpm in F minor and the shortest cue on the album at 2:07, this one runs on hustling bongos, tight funk drums, organ and brash horn lines. Built for panicked comic momentum — a scramble down a stairwell, a deadline montage, someone late and sweating.
The title cue's 100bpm A minor groove, and the album's longest at 2:47, with bongos, drums, electric guitar and horns and no organ — a slightly drier, more guitar-led take than its A minor neighbour. The extra length makes it the best bed for a full sequence of comic mishaps building to a shrug.
128bpm in E minor, matching the album's uptempo action tier but pitched darker and more furtive, with bongos, funk kit, guitar, organ and stabbing horns. Good for the middle of the job — moving fast while trying not to be seen, tension played for laughs.