The album's fastest cut at 185 BPM in D#, a surf-tinged garage rock sprint of clean-to-driven guitar, busy bass and drums punctuated by claps and a shouted female 'hey'. Short and relentless at 1:39, built to be dropped straight over a cut-heavy montage and end on a hard hit.
A 182 BPM surf-rock chase in C# carried purely by guitar, bass and drums with no vocal hooks, which leaves the top end clear for narration. Title's spy-caper angle suits playful pursuit footage; the arrangement stays lean and driving across 1:44.
The title cue and the longest of the fast-rock group at 2:02, sitting at a more struttable 130 BPM in D# with distorted riff work and handclaps driving the backbeat. Swaggering rather than frantic, with room to build across the full length before a solid finish.
A 160 BPM starting-gun cue in D# with straightforward guitar, bass and drums and no vocal elements, keeping the mid clear for a voiceover countdown. At 1:40 it's a compact race-start bed that pushes forward and lands cleanly.
The slowest track here at 80 BPM in D#, swapping surf energy for a twangy blues-rock swagger with distorted guitar, honky-tonk piano, loose drums and a single clap layer. Two minutes of laid-back, dusty road-trip attitude for footage that needs cool rather than speed.
The shortest cue on the album at 1:22, a 130 BPM rebellious rock hit in A built on distorted riffing, bass and drums with no vocal decoration. Tight enough to cover a single 60-second spot or a punchy stinger without needing an edit.
A 150 BPM blues-rock runner in F# with twangy distorted guitar, piano, claps and male 'ooh/ahh' backing vocals lifting the choruses. At 1:28 it's the briefest of the road-trip group — a fast, grinning getaway rather than a cruise.
Same F# key and near-identical 149 BPM as its blues-rock neighbour but instrumental — twangy guitar, piano, bass, drums and claps with no vocal layer, and a longer 1:49 run. The cleaner choice when dialogue or narration has to sit on top.
At 2:09 the longest cue on the album, a 163 BPM surf-flavoured rock instrumental in C driven by guitar, bass and drums with an attitude-forward, happy-go-lucky feel. The extra length gives editors room to build across a full sequence rather than a single spot.
A 175 BPM garage-rock romp in C# with male gang vocals and 'ooh/ahh' backings over fast guitar, bass and drums. Tongue-in-cheek and celebratory across 1:37, ideal where you want the band sound and shouted crowd energy up front.
A mid-tempo 112 BPM blues-rock groove in D with twangy distorted guitar, piano, bass and drums and no vocals or claps — the most relaxed of the road-trip cues after the 80 BPM cut. Two minutes of easy, gambling-luck swagger that sits comfortably under narration.
The slowest of the surf-rock group at 123 BPM in G#, a strutting urban-flavoured cue with guitar, bass, drums and male 'ooh/ahh' backing vocals. Its 1:45 mid-tempo pocket makes it the walk-and-talk option where the faster cuts would overwhelm the picture.