28 cues
The tightest edit on the album at just over three minutes, a 103bpm E flat minor funk groove with male vocal, guitar, keys, brass and synths. Street-level and swaggering, it gets in and out quickly, making it the pick for a short-form cut.
The starkest arrangement of the set: male vocal, synth, bass, four-on-the-floor kick and beat only, no piano or guitar, at 103bpm in E minor. Reflective and somber despite the steady dance pulse, its title's sense of drift suits aimless-summer and long-distance storytelling.
The most upbeat vocal cue here at 118 BPM in major-key G, an electropop production with lead and background female vocals, driving beat and bass, synths, piano and guitar plus trailer drum hits. Bittersweet lyrically implied heartache set against a bright, club-leaning pulse, so it plays as resilient rather than mournful. Good for summer coming-of-age montages, teen drama and lifestyle brand spots.
The only major-key song here, a 140bpm C major R&B/trap cut whose seductive lyric and warmer harmony make it the most inviting moment on the EP. Beat, sub bass and synth pads carry a smooth male vocal across a compact two-and-a-half minutes.
Slow 79bpm trip-hop in B flat built on a laid-back beat with claps, warm bass, piano and processed vocal samples for an ethereal, intimate haze. Romantic and slightly bruised in tone, matching the title's sense of a relationship going quietly wrong. Good for late-night two-handers and slow-burn drama.
The album's most restless cut at 145 BPM, pairing a lofi beat and warm bass with piano, flute and string washes under a soft male lead vocal. The mood is late-hour and bruised — introspection after a breakup rather than romance — and it suits night-walk footage, city windows and rain.
The album's fastest and most emotive cut: 151 BPM electronic pulse in A-flat minor with pads, piano, bass and viola-led strings under a lead female vocal. Melancholic but uplifting, the longest-arc track here at 4:28, building from dreamy haze to a full-bodied chorus.
A slow 80 BPM dream-hop song in G minor built on a laid-back beat with lead male vocals and chopped vocal textures. The mood mixes playful, fun energy with a moody minor-key undertow, making it read as confident and slightly reckless rather than sad. Suits youth-brand advertising, a night-out sequence, or a lighthearted reality-TV montage.
The fastest cue on the EP at 160bpm, a half-time-feeling F minor trap-R&B track where skittering programmed beats and low synth bass sit under a moody male lead vocal. The tone is somber and withholding rather than triumphant — a break-up song that keeps its cool.
The slowest cue at 80bpm and the only one in a major key, E, giving it a warmer, more open glow than the minor-key material around it. Female vocal, violin and light percussion float over a laid-back beat and bass for a tender, unhurried mood.
At 92bpm in A, the longest of the mid-tempo indie-electronic cues, pairing piano and strings with a downtempo beat, bass and treated vocal samples. The major key and inspiring tag give it a hopeful lift under the moody surface — a fresh-start feeling that suits reflective narration. Its four-minute length leaves room for a full arc in a montage.
A flirtier, more playful lofi groove at 135 BPM in D#, with electric guitar licks over dusty beat, bass, piano and synth pads, topped by a male vocal. Lighter and sexier than the album's introspective tracks, good for footage with a hint of chase or anticipation.
Future bass at 132 BPM in B major with a female lead vocal riding over pitch-bent synth chords and a halftime trap-leaning beat. Bright and romantic rather than aggressive, with a hook-driven lift that suits fashion and lifestyle cutting. Best where a sung topline is wanted front and centre.
The longest cue here at nearly four minutes, an 83bpm D major bed of beat, pad and drone with scattered male and female vocal colour rather than a sung lead. Introspective and investigative, it holds a cold, questioning atmosphere across its length.
Mid-fast 132 BPM synth-pop-leaning electronica in C# minor, stripped to pads, beat and layered female lead vocal with little else competing for space. Cool and wistful, with a clean forward drive suited to reflective but stylish sequences.
The band-leaning cue of the album: 97bpm in E minor with acoustic and electric guitar joining piano, synth, strings and a downtempo beat, plus male vocals. Emotional and somber but tagged inspiring, so it carries a resolving lift across its four minutes. Fits confessional relationship narrative and end-of-episode reflection.
An 80 BPM C minor dream-hop track with female lead vocals and chopped vocal texture over a slow, spacious beat. The title frames it as an assertive identity statement, so the dreamy, introspective production carries attitude rather than melancholy. Strong for fashion runway edits, an empowerment-themed brand film, or a character-introduction montage.
The longest cue here at nearly four minutes, a 130 BPM D# lofi groove with piano, bass, synth pads and a mellow male vocal that has room to unfold over multiple passes. Its drawn-to-the-flame title fits obsessive attraction and quietly moody character scenes.
The slowest and heaviest-grooving track at 91bpm in B minor, leaning into a dark, dragging trap pocket of deep bass and sparse synths beneath a brooding male vocal. Its unhurried tempo and confrontational title suit scenes of simmering conflict rather than release.
A 100 BPM B minor dream-hop song fronted by female lead vocals with chopped vocal production over a modern beat. The title's celebratory lift plays against the minor key, giving an uplifting but still moody feel that suits a moment of arrival or ignition. Good for beauty and drinks advertising, a party build, or a talent-show style reveal.
The title cue and the album's clearest statement of mood: saxophone over Rhodes, Hammond, piano and a 92bpm beat in E minor, jazzy and deliberately sleazy. Trippy and psychedelic in flavour, short at under three minutes, it plays like a smoky lounge walkthrough. Ideal for neon-lit night interiors and stylised character introductions.
The fastest cue on the set at 140bpm, pairing a driving programmed beat and bass with saxophone, electric guitar and layered female and Hindu vocals over tabla. G minor keeps it sultry rather than bright, and the four-and-a-half-minute length gives room for a long fashion or nightlife sequence.
The fastest cue on the set at 134 BPM in D minor, pushing the chill hip hop/trip hop template toward a brighter, more danceable pop pulse under lead male vocals and chopped vocal hooks. Dreamy and introspective in tone but with real forward drive, and at 3:43 it has room to build across a longer edit. Works for travel and city-at-night footage, sports lifestyle spots or a party-into-morning montage.
The shortest and most immediately charming track: 2:32 at 110 BPM in C, with extra hand percussion loosening up the beat, piano and bass beneath a warm male vocal. Playful and intimate, it drops easily into a 30-second cutdown or a rooftop dinner scene.