Dj Unwind Velvet Dreams

The longest track on the album at 4:48, an 81 BPM A minor instrumental with strings, pads, Hammond, percussion and an unhurried beat. Late-night and dreamlike, with enough length to underscore a full scene or credit roll.

The outlier: a lean 142 BPM F major instrumental stripped to synth, bass, beat and claps, and the shortest cue at 2:47. Clean, corporate and tech-forward with no melodic vocal in the way, built for data, product and innovation visuals.

An 87 BPM E minor instrumental with strings and guitar layered over pads, bass and a soft beat, running a long 4:27. Bittersweet and lingering — the reflective, slightly sorrowful counterpart to the album's brighter downtempo cues.

Downtempo 81 BPM instrumental and the only major-key cue in the slow group, with strings replacing guitar over soft beat, percussion, Hammond and pads. Wintry and serene as the title suggests, warm rather than sad.

A mid-tempo 111 BPM instrumental in F minor, the same guitar, bass, Hammond and pad palette taken at a hip-swaying rather than club pace. Short and sensual at 3:11 — intimate without being sleepy.

Same 140 BPM A minor instrumental territory as its neighbour but tighter at 3:27, with an off-beat reggae-leaning lilt suggested by the title inside the electronic guitar-and-Hammond arrangement. Warm, easy and feel-good.

The longest of the uptempo instrumentals at 4:08, a 140 BPM A minor groove with guitar, Hammond, percussion and pads over a solid dance beat. Sultry and stylish with room to run — useful when a scene or edit needs sustained energy without a vocal.

Instrumental 138 BPM club-leaning electronica in C# minor, guitar and Hammond riding a steady four-on-the-floor beat with percussion and pads. Trendy and forward-moving, with a bright optimism that suits change-and-progress storytelling.

Shares the 80 BPM F# minor pocket and guitar/Hammond palette of its neighbour but tilts warmer and sunnier — feel-good, soft and romantic rather than smoky, with female lead vocal on top. The shortest of the pair at 3:18.

An 80 BPM F# minor downtempo groove with congas and hand percussion loosening the beat, guitar, Hammond and pads behind a breathy female lead vocal. Relaxed and intimate — the most laid-back, tactile cue on the record.

Instrumental slow-burn at 84 BPM in G minor, with pads, clean guitar, bass, soft beat and Hammond organ colour. Smoky and sensual with no vocal in front, so it sits easily under dialogue or narration.

Downtempo 92 BPM E minor groove built on a rolling arpeggio, beat and sultry female lead vocal. Moody and seductive rather than uplifting, with a slightly bittersweet nostalgia the title implies — good for late-night or looking-back scenes.

Mid-fast 132 BPM synth-pop-leaning electronica in C# minor, stripped to pads, beat and layered female lead vocal with little else competing for space. Cool and wistful, with a clean forward drive suited to reflective but stylish sequences.

The album's fastest and most emotive cut: 151 BPM electronic pulse in A-flat minor with pads, piano, bass and viola-led strings under a lead female vocal. Melancholic but uplifting, the longest-arc track here at 4:28, building from dreamy haze to a full-bodied chorus.