Future bass at 132 BPM in B major with a female lead vocal riding over pitch-bent synth chords and a halftime trap-leaning beat. Bright and romantic rather than aggressive, with a hook-driven lift that suits fashion and lifestyle cutting. Best where a sung topline is wanted front and centre.
The fastest and shortest of the vocal cues at 134 BPM in C, pairing a female topline with wide detuned synth stabs and a chopped chillstep beat. Its dreamier title connotation suits night-drive and drift-away imagery, and the tight 2:17 length makes it an easy fit for a short-form edit.
The slowest vocal track here at 117 BPM in D, giving the trip-hop-derived beat more swagger and space between hits. Female lead vocal over deep bass pulses and glassy synth leads, sexier and more deliberate than the faster cues on the album.
At 2:51 the longest vocal cue, a 127 BPM F major future bass track with female vocals, sun-warm synth chords and a chilled halftime groove. The title points squarely at coastal, summer and holiday footage, and the extra length allows a full build and drop before the outro.
Instrumental future bass at 126 BPM in D flat, built from synth leads, chopped vocal-style textures and deep sub bass over a slow-swung beat. The clipped, pointillist title matches its more mechanical, pattern-driven feel, and the absence of a lead vocal leaves room for narration.
The most relaxed cue on the album at 108 BPM in C, an instrumental electronic pop bed of sustained synths and an unhurried beat. Spacious and emotional rather than punchy, it works underneath dialogue or voiceover where a slow-motion, reflective tone is wanted.
A brisk 126 BPM instrumental in F major and the shortest track here at 2:07, with bright synth chords and a driving electronic pop beat. The optimistic major-key lift and compact length suit a short advert or an upbeat closing montage.
Instrumental at 127 BPM in C minor — the darker of the mid-tempo cues, with moody synth lines and deep bass over a punchy beat across a full 2:51. The minor tonality gives it edge for competitive or high-stakes footage rather than sunny lifestyle imagery.
A slow-burning instrumental at 103 BPM in D flat, the most laid-back tempo on the record, with warm synth pads, deep bass and an unhurried beat over nearly three minutes. Its sunrise connotation and open arrangement make it a natural voiceover bed for hopeful, gradually building narrative.
The hardest-driving instrumental here at 134 BPM in F minor, pairing an urgent tempo with a minor key for effort and struggle rather than celebration. Synth leads and deep bass pulses over a firm electronic beat make it suited to training, endurance and uphill-climb narratives.