Buddha Sky Lounge

The fastest cue on the set at 140bpm, pairing a driving programmed beat and bass with saxophone, electric guitar and layered female and Hindu vocals over tabla. G minor keeps it sultry rather than bright, and the four-and-a-half-minute length gives room for a long fashion or nightlife sequence.

A deep-house leaning lounge groove at 115bpm in C# minor, with steady beat and bass under violin, piano and processed vocal chants. Dreamy and aquatic in feel per its title, building gradually across nearly five minutes without ever breaking into full club energy.

An encouraging, forward-tilting house-lounge cue at 110bpm in B minor, coloured by oud, flute and tabla alongside synth bass and vocal chants. Its short 3:34 runtime and motivational title make it an efficient edit bed for uplift-toned sequences.

A 120bpm house pulse in F minor where zorna and saxophone trade the melodic lead over female vocal chants and processed effects. The title's heartbeat idea matches its insistent four-on-the-floor drive, sustained across four and a half minutes.

The most percussion-forward of the slower cues, a 105bpm A minor groove with hand percussion, flute and Hindu vocal chants over electronic bass and guitar. Warmer and more playful than its neighbours, with a relaxed sway rather than a club pulse.

At 5:22 the longest track here, a 116bpm deep-house bed in F minor built from beat, bass, synth pads, hand percussion and wordless female chant. Sparse and hypnotic with no instrumental soloist, it loops comfortably under dialogue or narration.

A downtempo trip-hop-leaning night piece at 86bpm in C minor, with a slow heavy beat, deep bass, atmospheric synths, percussion and treated female chant. Moody and cinematic, it suits after-dark footage more than daylight.

The slowest cue at 80bpm and the only one in a major key, E, giving it a warmer, more open glow than the minor-key material around it. Female vocal, violin and light percussion float over a laid-back beat and bass for a tender, unhurried mood.

A 120bpm house groove in E flat that swaps ethnic textures for strings and both male and female vocals, giving it a spacier, more futuristic cast in line with its title. Steady and glossy across just under four minutes.

A stripped, downtempo 86bpm cue in D minor — just beat, bass, synth, percussion and female vocal, with no solo instrument competing for space. Its intimate title and short 3:32 length make it a tidy romantic or reunion bed.

A 120bpm D minor lounge groove with the album's fullest jazz colouring: piano and saxophone lines over tabla, percussion, female vocal and electronic bass. Confident and flirtatious, better for a scene with movement than a talking head.

The brightest-tempered cue on the set, tagged happy and fun, at 108bpm in C# minor with flute over beat, bass, synth, percussion and female vocal. Compact at 3:28 and light on its feet compared with the moodier tracks around it.

A 104bpm house-lounge cue in A flat where oud carries the Middle Eastern melodic identity over programmed beat, bass and hand percussion with female vocal colour. Named for a Red Sea resort town, it fits desert-coast and luxury travel imagery directly.

The only cue led by male vocal, at 115bpm in F# minor, with oud and kalimba giving a mixed Arabic-African texture over beat, bass and synth. Its title and minor key push toward wistful, memory-driven footage rather than club energy.