Post Rock

The most textured track on the set, adding acoustic guitar, wordless vocal colour and a whistled line to the piano, guitar and lofi beat; B flat gives it a warm, faintly nostalgic cast. The longest-feeling and most home-movie-like cue, built for old tape footage, childhood retrospectives and memory-driven documentary passages.

The fastest-moving cue here at 132bpm, pairing shoegaze guitar haze with saxophone and brass over insistent drums in D minor. The jazz horns give it a sleazy forward drive, suited to a chase that stays stylish rather than frantic, or a memory-loop montage that keeps circling back.

The only cue with male vocals, at 120 BPM in E flat, riding drums, bass, electric guitar and electronic synth atmosphere. At just 2:05 it's the shortest and most song-like track here, punchy and positive for a spot that needs a lyric hook.

An indie-cinematic build in G major with male lead and background vocals, piano, guitar and drums that open out into a soaring uplift. At 4:43 it is the longest cue here and the most overtly anthemic, moving from moody restraint to full-hearted release. Best where a story turns for the better.

Post-rock build in E at 94bpm: piano figures and pads give way to acoustic drums, layered strings and electric guitar with wordless background vocals floating over the top. Nearly eight minutes of steady widescreen lift, ending in a full-band swell rather than a fade.

The most texturally distinct cue on the record: tabla adds a hand-percussion pulse under piano, guitar, strings and brass in ominous F#m at 100bpm. It starts dark and watchful and builds to a heroic, triumphant orchestral back end.

The most organic and emotional cue here: piano and bass joined by harmonica and melodica, with distorted electric guitar adding grit as it climbs at 139 BPM. A major and no percussion listed keeps it looser and more road-movie than the synthpop tracks, reading as a fresh start.

The title track sits at 115bpm in E flat minor, the darkest and most aggressive setting on the record, with distorted guitar cutting through brass and orchestral percussion. Tension holds through the mid-section before a triumphant, apocalyptic climax.

Anthemic 120bpm indie rock in F#m, layering synth, strings, xylophone accents and electric guitar over rock drums and a solid kick. Tagged as building and soaring, it climbs from a slightly darker minor opening to a heartfelt widescreen payoff — good for journey narratives and emotional brand films with an underdog arc.

A compact atmospheric rock cue at 100bpm in D flat, built from drones, pads and piano with guitar and drums entering to give it forward motion. Dark and dreamy rather than aggressive, it works as a short scene-setter that suggests something starting to shift. At 2:21 it fits tight edit windows.

The fastest cue here at 135 BPM, an indie-cinematic driver in F major with male and background vocals, drums, bass, piano, guitar and synth. It builds toward a soaring, uplifting payoff and is the most forward-moving track on the album. Ideal for discovery and momentum.

The outlier on the album: an ambient, downtempo bed at 110bpm in F built from ticking, drone, bass, wordless voices, synth and drums rather than piano and strings. Dark and struggling in tone, it works as an unresolved tension underscore for slow motion and timelapse rather than as a melodic cue.

The fastest cue here at 115bpm in E flat, driving acoustic drums and electric guitar against piano, pads, strings and ethereal background vocals. Restless forward motion with an uplifting soar — good for ideas in motion and processes speeding up.

The slowest of the mid-tempo group at 87bpm in E minor, opening on drone and piano with plenty of air before strings, distorted guitar and orchestral drums grow into a heroic close. The gentle early section leaves usable space for narration.

95bpm post-rock in D that balances the album's soaring band sound — acoustic drums, electric guitar, piano, pads, strings, airy background vocals — against somber, introspective tags. A cleansing arc: sparse and reflective before it opens out.

E major post-rock builder at 105bpm with guitar, strings and brass over orchestral drums and a synth siren cutting through the texture. Moody and tense early on, it opens out to a soaring, heroic back end suited to a turning point.

The title cue and the album's emotional centrepiece: strings and kalimba over synth, bass and drums at 136 BPM in G, with wordless backing vocals opening out the choruses. The longest track here, giving room for a slow-burn motivational build to a wide, resolved finish.

The shortest cue on the album at just over two minutes, in bright D major with a pulsing synth undercurrent pushing piano, strings and brass forward at 100bpm. Compact and efficient, it moves from moody restraint into a full triumphant orchestral-drum back end without wasting a bar.

The title cue and the clearest statement of the album's mood: slow 90bpm drone and pad bed with piano, drums and a lead guitar line carrying the melody. Haunting and widescreen, it builds patiently across 3:40 without ever brightening. Suits reflective, ominous storytelling that needs a real melodic hook.

103bpm in D major, an upward-tilting hybrid build with drone, piano and strings giving way to brass, guitar and orchestral drums across a neat three-minute arc. Reflective at the start, plainly heroic by the end.

The longest cue at 3:06, a heartfelt 116bpm folk-rock build in F# using acoustic and electric guitar, dulcimer, piano, strings, bass and drums. Its extra length allows a slower emotional climb from tender to soaring before a full resolution.

At 76bpm this is the slowest and heaviest cue on the album, with choir added to the drone, pad, piano, acoustic guitar and drums palette. The vocal texture pushes it toward something sacred and grieving, matching the possessive ache of the title. Four minutes of slow-burning dread and sorrow.

Mid-tempo 75bpm post-rock in A flat and the one cue on the album that carries male vocals alongside wordless backing voices, over acoustic drums, piano, pads, strings and electric guitar. The most human and anthemic entry here, building to a soaring close.

The shortest and most compact build here at 2:36, 109bpm in D major, with wordless vocal colour layered over drone, piano, strings and brass. Its brevity and bright key make it an efficient uplifting cut-down.

Driving 120bpm hybrid post-rock in D minor built on electric guitar, strings and brass over orchestral drums, with a synth siren adding urgency beneath the rhythm. Dark and tense in the first half, it escalates to a triumphant, heroic back end inside just over two minutes.

At 108bpm in E major this is the album's most bittersweet build: piano and strings carry a reflective, almost romantic opening before distorted guitar, brass and orchestral drums escalate toward a triumphant finish. The longest cue here at 3:20, giving room for a full three-act trailer arc.

The fastest cue on the album at 150bpm, set in A flat minor for driving urgency, with distorted guitar and orchestral drums pushing a relentless post-rock pulse under strings and brass. Piano softens the reflective moments before the epic back-end.