A compact atmospheric rock cue at 100bpm in D flat, built from drones, pads and piano with guitar and drums entering to give it forward motion. Dark and dreamy rather than aggressive, it works as a short scene-setter that suggests something starting to shift. At 2:21 it fits tight edit windows.
The title cue and the clearest statement of the album's mood: slow 90bpm drone and pad bed with piano, drums and a lead guitar line carrying the melody. Haunting and widescreen, it builds patiently across 3:40 without ever brightening. Suits reflective, ominous storytelling that needs a real melodic hook.
The fastest-moving piece here at 155bpm in E flat, pairing driving drums with acoustic and electric guitar over drone and pad textures, piano threading through. Sad and haunting but propulsive, more of a chase-with-grief feeling than a ballad. Length of 4:13 allows a long arc.
At 76bpm this is the slowest and heaviest cue on the album, with choir added to the drone, pad, piano, acoustic guitar and drums palette. The vocal texture pushes it toward something sacred and grieving, matching the possessive ache of the title. Four minutes of slow-burning dread and sorrow.
Fast at 162bpm but drumless in its tagged palette, relying on guitar, piano, drone and pads for a rushing, calm-yet-desolate feel. The displacement in the title reads as departure and loss, and the calm tag sets it slightly apart from the rest of the album's darkness. Good for footage moving quickly past a landscape.
90bpm in G, with drone, pad, piano, guitar and drums held in an airy, exposed arrangement that suits the elemental title. Sad and haunting with a slow sense of drift rather than drive. A neutral emotional bed that carries narration well over 3:32.
The longest cue at 4:56, slow at 88bpm in E, with piano and guitar over drone and pad and drums underneath. The title's tenderness cuts against the album's darkness, giving a bittersweet devotion rather than pure gloom. Its length supports a full build and a long tail.
Brisk 130bpm in F and only 2:37, making it the album's most efficient piece of movement — drums and guitar driving over drone, pad and piano. Dreamy and distant in feel but purposeful in pulse. Cut for short-form work that needs momentum without brightness.
Drumless and relaxing by comparison: 100bpm in D flat with piano and guitar floating on drone and pad textures for 4:30. Calm and nostalgic with a melancholy underside, matching the wistful finality of the title. One of the best beds on the album for spoken word.
The only cue tagged for action: 125bpm in B with drums, guitar, piano and drone pushing a dark, urgent pulse across 4:30. Still haunted and sad rather than heroic, so it suits flight more than pursuit. Long enough to build through several stages.
100bpm in D flat with no piano tagged, leaning instead on guitar, drums, drone and pad for a hazier, more textural take on the album's sound. Dreamy and mysterious, the title suggests first-love uncertainty rather than joy. At 3:09 it fits a mid-length montage.
A short 2:16 closer in D flat with no tagged tempo, suggesting a freer, less pulse-driven piece: drone and pad under piano and a lead guitar melody, with drums present. Bleak and openly emotional, the title states the album's thesis. Works as an outro or a single devastating scene.