E minor lofi indie with piano figures over hazy shoegaze electric guitar, soft bass and a steady programmed beat; at 152 BPM the pulse is brisk but the mood stays melancholy and inward. Suits late-night driving footage, journaling or bedroom-studio scenes, and quiet grief in a coming-of-age story.
The brightest-keyed cue here: G major lofi with piano, washed electric guitar, bass and light beat, bittersweet rather than bleak. Its short 2:34 length and 149 BPM lift make it a tidy cut for morning-after or first-light sequences, friendship montages and hopeful closing beats.
The most textured track on the set, adding acoustic guitar, wordless vocal colour and a whistled line to the piano, guitar and lofi beat; B flat gives it a warm, faintly nostalgic cast. The longest-feeling and most home-movie-like cue, built for old tape footage, childhood retrospectives and memory-driven documentary passages.
E flat minor lofi at a more relaxed 130 BPM, with piano, muted electric guitar, soft vocal texture and a rounded beat carrying a calm-but-sad steadiness that matches the title's sense of untroubled stillness. Works for meditation and wellbeing content, rain-on-window shots, and reflective interior scenes.
The longest cue at 3:48, in open C major with piano, bass, drums, pads and light vocal texture and no guitar — cleaner and airier than its neighbours. The slow 110 BPM sway suits summer-evening footage, nature and insect macro shots, and tender scenes that need room to breathe.
The sparest track on the album: bass, synths and pads only, no piano or drums, so it functions as a warm harmonic bed rather than a song. A flat major keeps it comforting and unhurried — ideal under narration, reflective interviews or a slow establishing sequence.
E flat major lofi indie with piano, hazy electric guitar, bass, drums and pads and no beat programming listed, giving a slightly more band-like, reassuring feel that matches the title's promise of constancy. Fits loyal-friendship or long-relationship montages, hospital and homecoming scenes, and steady mid-programme underscore.
Piano-forward and the second slowest cue at 100 BPM, in G major with bass, drums and pads and no guitar, so the keyboard writing carries the melody. Good for intimate opening titles, quiet writing or studying scenes and softly sentimental product films.
The fastest track here at 157 BPM in E major, with piano, blurred electric guitar, bass, drums and pads driving a restless forward motion under a still-melancholy surface. Suits urban walking and stairwell footage, city night sequences and mild-tension transitional scenes.
The slowest and most downcast cue on the album, 91 BPM in D minor with piano, acoustic guitar, bass, soft vocal texture and a lazy lofi beat. Its message-in-a-bottle title fits distance and longing: seaside footage, letters and long-distance relationships, or the low point before a documentary's turn.