25 cues
Optimistic 128bpm indie rock in B, bouncy and warm, with jangly electric guitar, bass, drums, synth sparkle and male background vocals adding the hook. Hopeful and mildly reflective, it fits fresh-start and new-chapter storytelling.
Shares the G# minor centre with "Gotta Move On" but is faster-feeling in shape and half the length at 2:21, and swaps piano for electric guitar against the driving kick and synth bass. Somber and sexy at once, it works as a compact, edit-ready cut for late-night or after-the-breakup footage.
The only cue with male vocals, at 120 BPM in E flat, riding drums, bass, electric guitar and electronic synth atmosphere. At just 2:05 it's the shortest and most song-like track here, punchy and positive for a spot that needs a lyric hook.
The slowest and most brooding cue on the set at 80bpm in G minor, trading speed for swagger: male vocal, dusty electric guitar, bass, drums, claps and shouts with a desert-rustic, breakup-song bite. Emotive rather than combative, it works where a relationship has turned toxic but the character walks away stronger.
The warmest and most romantic track on the album: 119bpm in E minor, with electric guitar added over the 4/4 kick, synth bass and glitched vocal chops. Emotional and love-leaning rather than purely club-driven, so it fits couple footage, golden-hour beach scenes and relationship-focused storytelling.
The title cue: a mid-tempo 95 BPM synthpop groove in D minor built on programmed beat, warm bass and layered synths under a male lead vocal. Romantic and slightly wistful rather than euphoric, it works as a full song with a clear verse-chorus shape and a definite ending.
A mid-tempo indie dream pop song in C built on kit drums, warm bass and hazy synth pads under a lead male vocal. The tone is confessional and slightly moody — an admission of feeling rather than a declaration — and it stays intimate rather than anthemic across its three minutes.
Driving 139bpm indie pop-punk in A flat minor, built on distorted electric guitar, bass and a hard-hitting kit under female lead vocals. Dark and romantic at once, its under-two-minute length keeps it tight and edit-friendly for fashion and lifestyle cuts about longing or self-destructive attraction.
The slowest and most brooding piece here at 56 BPM in E minor, pairing piano and strings with distorted guitar, bass and drums under a male lead vocal. Reflective and heavy-hearted but still muscular, it suits a long, serious emotional beat rather than an action cue.
Mid-tempo indie synthpop at 116 BPM in E flat, pairing piano and warm synth pads with bass, kit drums and a male vocal that turns the track optimistic and open-skied as it develops. At just over three minutes it has room for a proper ambient intro and an uplifting final section. Suits sunrise and horizon footage, corporate hope pieces, and romantic road-trip sequences.
An uptempo motivational indie pop song in F that adds acoustic guitar, distortion and vocoder textures to the drums, bass and synth core. The mood shifts from the album's romance toward perseverance — a don't-give-up push with a driving, brighter-edged energy that suits second-chance and comeback footage.
The album's emotional outlier: 92 BPM in C major, with strings added to the beat, bass and synth bed and a heartfelt male vocal about pushing through hardship. Hopeful and uplifting, it builds to an anthemic resolve suited to triumph-over-adversity storytelling.
The most pop-leaning and rhythmically forward track at 99 BPM in E minor, with distorted guitar, drums, bass and synth behind a male lead vocal. Framed around a breakup, it plays sexy and defiant rather than wounded, making it the natural fit for attitude-driven cutting.
At 120bpm in E flat minor this is the moodiest mid-tempo cut here, pairing female vocals with chopped vocal samples and effects over guitar, bass and drums. The title's weary resignation suits footage of repeating mistakes, late-night city driving or a relationship cycling back to the same place.
The title cue: a 120bpm synthpop-pop hybrid in C# where synth pads and pulse sit under acoustic guitar, dulcimer, percussion and a full drum kit. Bright, summer-forward and ad-ready, with an uplifting arc that lands by 2:44.
Mid-tempo electro-rock brand cue in D at 108bpm, built from piano figures, guitar, synth pads and a wordless female vocal chant over driving drums. The arc is a steady journey-style build toward an anthemic, resolved final section, with clear edit points for product reveals.
108 BPM in G sharp minor, and at 3:37 one of the longest cuts here, giving more room for the arrangement of beat, bass, synths and male vocal to develop. The minor key and questioning title lend it a reflective, slightly yearning cast within the album's funky 80s frame.
At 115 BPM in E minor with a driving 4/4 kick and electric guitar cutting through the synths, this is one of the more propulsive, dancefloor-leaning songs here. Funky and forward-moving with a male lead vocal, good for footage that needs continuous momentum.
At 102 BPM in E, the shortest main mix on the album: piano, synth and acoustic guitar with drums beneath a male vocal, unhurried and romantic with a soaring lift before it closes. Its brevity makes it a clean fit for spot lengths and short-form edits. Use for a 60-second brand film, proposal or wedding vignette, or an optimistic closing scene.
The most orchestral cue on the set: drums, bass and synth are joined by strings and cello, giving this C-major dream pop song a swelling, devotional lift behind the male lead vocal. Slightly faster and longer than its neighbours, it reads as a loyalty-and-commitment statement — the obvious first-dance or vows placement.
The fastest and brightest track on the album: 168bpm in E flat major with male vocals, punchy guitars, bass and drums pushing a run-for-it energy. Ideal for escape and departure imagery — skate footage, road trips, spring break, anything that needs momentum in under two minutes.
105 BPM in B flat major, the brightest-keyed track of the set: beat, bass and synths under a warm male vocal, tagged positive and uplifting as well as romantic. Feel-good and open-hearted, it suits people-focused footage that needs sincerity rather than edge.
A bright 102bpm indie-folk instrumental-leaning cue in G, built on strummed acoustic guitar, claps, a four-on-the-floor kick and strings, with chopped glitch vocal textures as hooks rather than a lead vocal. At 2:18 it's a tight, advert-length arc that opens sunny and lifts to a confident final chorus.
A 135 BPM indie synthpop piece in A that sets mandolin and strings against vocoder and male vocal over piano and drums, giving it a folk-electronic hybrid texture unique on this album. Emotional and somewhat somber, it opens atmospherically and grows without ever becoming aggressive. Fits slow-motion picture, memory or loss sequences, wedding films with a bittersweet tone, and landscape timelapse.