Driving 125bpm rock in D minor built on distorted electric guitar, hard-hitting drums, bass, claps and gang shouts, with a lead male vocal pushing a defiant war cry. Strings thicken the back half, giving the cue a widescreen, battle-ready lift that pays off inside its short 2:18 promo length.
The slowest and most brooding cue on the set at 80bpm in G minor, trading speed for swagger: male vocal, dusty electric guitar, bass, drums, claps and shouts with a desert-rustic, breakup-song bite. Emotive rather than combative, it works where a relationship has turned toxic but the character walks away stronger.
The fastest track here — 154bpm in D minor with a full-tilt distorted guitar, bass, drums, claps and shouted male vocals that lean cowboy-punk. Relentless forward momentum across 2:10 makes it the chase and pursuit option of the album.
The title cue: a 90bpm stomp in A minor where claps, gang shouts, bass and distorted guitar sit under a snarling male vocal about revenge. Slower and heavier than the album's uptempo tracks, it swaggers rather than sprints — ideal for a slow-motion walk-in or the moment a character decides to settle a score.