The album's title cue: a fast 158bpm D minor swagger-pop burner built on distorted electric guitar riffing, hard-hitting drums and bass with attitude-heavy female vocals. Runs a tight 2:08 with a driving, unbroken push suited to cut-to-picture action.
A 146bpm E minor chase cue blending electro synth production with distorted guitar riffs, claps and female vocals, its title pointing at a race-to-the-finish narrative. Slightly less frantic than the title track but still relentless, working best under speed footage and competitive climaxes.
At 100bpm in E minor this drops into hip hop swagger territory, with male vocals delivering a knowing, calling-you-out attitude over gritty guitar riff, claps and fat bass. Mid-tempo strut with a feel-good edge, good for confident walk-ins and street-level footage.
A 140bpm G minor electronic pop driver led by synths and organ alongside guitar, drums, claps and bass — the most keyboard-forward cue here and instrumental-leaning, with no vocal listed. Its confrontational title and steady high drive suit accusation and reveal moments as well as ad beds.
Quirky and comedic at 155bpm in E minor, using chopped vocal samples and glitch vocal effects over synth, electric guitar, claps and bass. The cheekiest cue on the record — playful rather than tough, with a fast pulse that still cuts to action.
The darkest cue of the set: 95bpm in F# minor, moody hip hop swagger with distorted guitar riff, sticks and claps, and both female and male vocals trading defiance. Slow-strut attitude with a shadowy edge for after-hours and rebellion narratives.
At 88bpm in F# minor this is the slowest full-band swagger cue, a head-nodding hip hop groove of distorted guitar riff, claps, bass and confident female vocals. The last-one-left title and unhurried strut fit survival stakes and victory poses alike.
A 115bpm D minor cue that swaps lead vocals for gang-style vocal chants over synth, beat, claps and bass, giving it a stadium-crowd feel. Grittier title imagery and a chant hook make it an easy fit for wipeouts, crashes and team energy.
Moody swagger at 107bpm in G minor, pairing a clean-toned guitar riff and female vocals with a programmed beat, claps and bass. At 2:39 it's the longest cue here and its bruised, redemptive title suits comeback and struggle storytelling.
Trap-leaning and fast at 151bpm in E minor, with glitched and straight female vocals over guitar riff, hard beat, claps and heavy bass. Destructive title energy and a short 2:16 runtime make it a punchy option for promos needing immediate aggression.
The slowest and most menacing track at 77bpm in D minor, built from vocal chants, synth, beat, claps and bass with suspense and tension in the mood profile. Quirky but stalking, it works as an anticipation bed before a confrontation rather than a full-energy payoff.