64 cues
The slowest and shortest piece, 75 BPM in F major and the one explicitly filed as folk, with warm acoustic guitar, woodwinds and piano growing into strings, brass and wordless choir. Golden-hour warmth and gentle nostalgia, resolving inside two and a half minutes.
The fastest and most purely orchestral cue on the album — 159 BPM in C major with piano, strings, brass and drums and no synth colouring. It pairs an intimate, reflective opening with a genuinely urgent, soaring push, ideal for city footage cut to motion.
The album's title cue and its longest at 3:13, moving at 120 BPM in D with solo piano and strings under lead female vocal chants and full choir, escalating into trailer drums and risers. The extra length allows the widest arc here, from somber and reflective to fully triumphant. Good for a feature-length trailer, a season finale montage or an emotional brand epilogue.
The slowest cue at 98bpm in C, opening from drone and pad textures with piano, strings and atmospheric vocal samples before percussion and brass raise it. The unhurried tempo leaves the most headroom for narration in its early half.
At 90bpm in G major this is the album's warmest and fullest cue, adding strings, drums and percussion to the acoustic guitar, drone and chanted male vocals. The arc is openly emotional — heartfelt and hopeful with a somber undertow — and at 3:07 it has room to grow before it settles. Fits reunion scenes, memorial tributes, romantic drama and long-form brand storytelling.
The longest and most expansive piece, 4:11 at 130 BPM in G#, giving room for a slow drone-and-pad opening to grow through trailer drums into an explosive orchestral and choral finish. Best where the picture needs genuine scale — space, flight, discovery — and time to get there.
A 120bpm A minor orchestral build for advertising, with piano figures, layered strings, brass and driving drums pushing toward a triumphant lift. At 2:23 it is the tightest of the album's inspiring cues, sized for a broadcast spot rather than a long-form film.
The quickest of the mid-tempo group at 130bpm in B flat, with acoustic guitar, piano and violin over an insistent kit and bass, brass and wordless backing vocals filling out a soaring final section. No lead vocal keeps the middle open for narration, and the short 2:44 length makes it an easy fit for a two-and-a-half-minute cut.
A warm 92bpm F major cue built on piano with sustained strings, soft synth pads, light percussion and wordless vocal textures, sitting in the gentle mid-tempo zone rather than pushing hard. The mood is intimate and homecoming-tender, arcing from quiet reflection to a full but restrained lift. Suits medical and healthcare storytelling, wedding films, family reunion footage and slow city timelapses.
A 75bpm piece in B minor, the darkest key here, so the soaring choir and brass payoff feels hard-won rather than automatic. Piano and sustained strings carry the first half; the title's image of catching light suits footage moving out of hardship.
Pared-back power trio of electric guitar, bass and drums at 83bpm in D, the leanest and most band-like cue on the album at 2:41. Warm, sunlit and chill, with an indie Americana feel under the reverb. Works for summer lifestyle footage and open-road driving shots.
The fastest of the album's uplifting cues at 134bpm in D minor, pairing a piano figure with claps, driving beat and synth layers that push toward trailer-drum hits and rises. Moody underneath but clearly aimed at achievement — the arc lifts rather than darkens.
At 70 BPM this is the slowest and most cinematic track on the album, pairing acoustic guitar and piano with brushed drums, bass, a male lead vocal and backing oohs. It moves from intimate and somber toward something inspiring and romantic, suiting a scene that turns a corner emotionally.
The title cue and the only track with a stated beat rather than loose percussion, giving 128bpm piano and strings in D a steadier forward pulse. Bright and optimistic across three minutes, it works as a spine for a corporate launch or founder story.
Bright D-major electro-cinematic build at 118bpm, with arpeggiated synth, pads, electric guitar and drums under wordless female vocal colour that lifts the last third into a soaring payoff. Suits triumphant present-tense storytelling where a character finally commits to something.
Fast-moving folk rock at 140bpm in E that pairs acoustic and electric guitars with strings, bass and full rock drums under wordless vocal layers. It builds toward a soaring, celebratory peak, suiting night-drive footage, festival recaps or any triumphant travel sequence.
Solo felt piano in A flat minor, moving at a steady 118 with the softened, close-miked attack that muffles the hammers and leaves the room tone audible. The longest cue on the record, it has space to develop from a single repeated figure into a fuller, more hopeful statement, matching its title's sense of an idea taking shape. Suits footage of someone at work alone — sketching, building, writing.
A compact 1:55 anthem at 117 BPM in F# minor, weighted toward pride and aspiration rather than conflict, with choir, strings, brass and drums in a clean rising shape. Short enough to drop straight into a trailer or promo without editing.
Mid-tempo 120 BPM piano score in E, warm and open, with strings, synth and a soft drum pattern holding the pulse across two and a half minutes. The optimistic title reads as opportunity and new beginnings, useful for a story beat where a subject takes a risk.
The album's title cue and its fastest: at 128bpm in E flat, trailer drums push strings, piano and choir toward a bright, wordless female vocal peak. The shortest main mix here (3:33), so it reads as the tightest trailer edit — small intimate open, sustained build, full triumphant landing.
The longest cue on the set at 4:30, moving at 94bpm in E with acoustic guitar and dobro over shaker and a full drum kit, cello and strings widening the middle section. Its length gives room for a slow-burn journey structure — searching, then settling, with airy background vocals carrying the payoff.
Instrumental ambient underscore at 100bpm in F#, piano figures suspended in pads, drone and soft string beds with no vocal layer. Dreamlike and inward-looking, matching its title — good for reflective interview passages and memory or reverie footage where dialogue must sit on top.
At 90bpm in E, this is the album's most patient cue: fingerpicked acoustic guitar and piano with bells over a slow string swell, drums and electric guitar arriving late to lift it into choir-backed uplift. The arc moves from intimate reflection to a wide, hopeful peak without ever losing warmth, which makes it a good bed for a narrated present-tense message about slowing down.
114bpm in G with ukulele, acoustic guitar, piano, glockenspiel, claps and drums, tagged both hopeful and moody so it carries a touch more wistfulness than the other up-tempo tracks. Warm and grateful in tone, the glockenspiel adding a nostalgic shimmer over a steady band groove. Fits thankful voiceover pieces, family memory montages and gentle nonprofit storytelling.
An 80bpm E flat piece from the album's brighter, more inspiring side — elegant piano with warm quartet strings and cello, aimed at advertising as much as drama. Reflective at the outset with a hopeful, unhurried lift, it suits commitment, staying, or homecoming imagery.
Electronic neoclassical in G# minor, pairing piano and strings with a steady beat, synth texture and male vocals. The title's strategic patience matches a cue that stays measured and somber while hinting at resolution. Suits deliberate, calculating narrative footage.
The sparsest cue here: 64bpm in C minor with strings, piano, choir, synths and FX and no percussion or brass listed, so it breathes as an atmospheric bed. Tidal, patient and slightly cold, it stays reflective rather than climbing to a peak. Ideal under narration, coastal aerials or a grief scene.
A 150bpm chillstep instrumental in G major built from beat, bass, synth and piano — bright and determined where the title track is darker, with no strings or vocal samples to clutter it. Hopeful and soaring, it holds a single confident energy across four minutes. Good for training and fitness montages, product reveals and upbeat travel or vlog cutdowns.
A 100bpm chillstep groove in E with marimba figures, clean electric guitar and clipped female vocal samples over a clap-driven downtempo beat. Warm and unhurried, it reads as sunlit lifestyle rather than club energy, with enough forward motion for a montage.
At 80bpm in C major this is the broad, patient version of the album's epic orchestral sound — piano and strings with choir and brass swelling behind, unhurried across three minutes. The slower tempo leaves generous gaps for narration in innovation and healthcare films.
A mid-tempo indie folk song in C built on strummed acoustic guitar, bass and a stomp-and-clap backbeat under a warm male lead vocal. The mood is heartfelt and outdoorsy with a slightly somber edge, resolving on a settled final chord. Suits hiking and road-trip footage, rustic wedding films and outdoor apparel spots.
The most organic and emotional cue here: piano and bass joined by harmonica and melodica, with distorted electric guitar adding grit as it climbs at 139 BPM. A major and no percussion listed keeps it looser and more road-movie than the synthpop tracks, reading as a fresh start.
At 102 BPM in E, the shortest main mix on the album: piano, synth and acoustic guitar with drums beneath a male vocal, unhurried and romantic with a soaring lift before it closes. Its brevity makes it a clean fit for spot lengths and short-form edits. Use for a 60-second brand film, proposal or wedding vignette, or an optimistic closing scene.
Slow and mysterious at 64bpm in C major, starting small with piano and strings over an arpeggio pattern and growing to brass, choir and orchestral drums. The magical, unassuming-hero tone of the title makes it read as quiet courage rather than spectacle. Works for frontline worker tributes, community documentary and understated brand storytelling.
Driving 120bpm hybrid post-rock in D minor built on electric guitar, strings and brass over orchestral drums, with a synth siren adding urgency beneath the rhythm. Dark and tense in the first half, it escalates to a triumphant, heroic back end inside just over two minutes.
At 106bpm this is the slowest cue here, a C# minor piece where piano and live strings move over a soft beat with plenty of air between phrases. The coming-of-age title fits footage of transition — leaving home, a first job, a look back at childhood — and the restrained arrangement leaves the midrange clear for narration. Emotional but never overplayed.
At 120bpm in E minor, arpeggios and piano circle under strings and brass in a curious, discovery-minded build that resolves triumphantly. Tagged for science and invention, it is the album's cue for progress and problem-solving rather than romance.
The album's title cue: 120bpm in D with piano, pads, arpeggiated synth, drums and processed vocal FX, moving from atmospheric opening to a wide, uplifting cinematic landscape. Best on coming-of-age and youth-focused storytelling that needs an emotional summit.
The title cue: 96 BPM in C minor, the album's longest track, pairing intimate piano with strings that widen into something majestic and cosmic. Minor-key gravity keeps it thoughtful rather than celebratory, with room to breathe for narration early on.
Anthemic 120bpm indie rock in F#m, layering synth, strings, xylophone accents and electric guitar over rock drums and a solid kick. Tagged as building and soaring, it climbs from a slightly darker minor opening to a heartfelt widescreen payoff — good for journey narratives and emotional brand films with an underdog arc.
Slow 76bpm D-major bed of reverbed electric guitar with bass, piano and cello, and the shortest cue here at 2:41. The title implies a remembered conversation — intimate, sad-edged and conversational in pace, leaving room above the guitar for narration. Good for interview segments and quiet character beats.
The fastest cue here at 112bpm in C, pairing ukulele and acoustic guitar with claps, shaker and kick plus a whistled top line that carries the melody. Sociable and party-warm as the title suggests, with a steady four-on-the-floor push and a clear finish. Good for friends-gathering footage, food and drink brands and hipster lifestyle content.
A slow-blooming ambient underscore at 80 BPM in E flat, built from low bass drones, sustained strings and a repeating synth arpeggio with piano dots on top. Warm rather than dark, it grows in density across four minutes without ever pushing to a peak, suiting footage of formation — nebulae, coastlines, time-lapse cloud.
A bright 102bpm indie-folk instrumental-leaning cue in G, built on strummed acoustic guitar, claps, a four-on-the-floor kick and strings, with chopped glitch vocal textures as hooks rather than a lead vocal. At 2:18 it's a tight, advert-length arc that opens sunny and lifts to a confident final chorus.
At 112bpm in D minor this is the most emotionally forward cue on the album, mallets and vibraphone over a drone with kick drum, bass and swelling risers that give it a clear build across two and a quarter minutes. Innocent and slightly wide-eyed but shaded with mystery, tailored for advertising and for footage about children, growth or environmental renewal.
Warm C major neoclassical corporate cue at a walking 80 BPM, built from piano, sustained strings, soft synth pads and light drums with horns lifting the later stages. The arc is gentle and optimistic rather than triumphant, opening quietly and widening into a soaring, heartwarming payoff over three and a half minutes.
At 105bpm in C, this one adds brass to the piano, strings and drum programming, giving the drive implied by its title a broader, more determined weight. Momentum is insistent and unbroken, suitable for perseverance and progress storytelling.
At 101bpm in E minor this is the softest, most romantic of the four-on-the-floor cues here, built from synth pads, bass, hand percussion and airy vocal samples with no piano or strings to harden the edges. Emotional and introspective, it stays in a gentle chill-house groove for four minutes. Works for intimate couple footage, skincare and wellness brands, or reflective vlog voiceover.
B flat minor felt piano at a slightly relaxed 110, nostalgic and distant in keeping with a title that looks a long way back. Two minutes of intimate, softly damped playing with plenty of air around the notes, ideal for archive photographs and memory sequences.
The fastest cue here at 150bpm in E, driving piano and electric guitar over rock drums, pulsing bass and a four-on-the-floor kick with airy background vocals on top. Energized and excited from early on, it works for quick-cut adventure, sports or product montages that need forward motion without losing the hopeful indie warmth.
An F minor neoclassical cue at 146bpm carried by piano and strings alone, no percussion, so the momentum comes from the string writing itself. The longest of the mid-album pieces at 3:45, with a hopeful-but-unsettled cast that suits scenes of waiting or anticipation. Suited to drama where a character is holding on to a plan that hasn't happened yet.
Mid-album synthpop at 131 BPM with synth pads, piano chords and a clean four-on-the-floor pulse under wordless backing vocals. The title's sense of grey turning bright suits a build from restrained verse to soaring, open-hearted chorus in C major.
The album's flagship epic: 110bpm in D major, with choir added over strings, brass, piano and drums for a grand, hopeful climb. Three minutes gives it room for a full arc from statement to triumphant peak, ideal for future-facing science and medical storytelling.
A mid-tempo 92bpm cue in C where mandolin sits alongside acoustic guitar and piano over a full rhythm section of bass and drums, with male vocals and wordless backing harmonies. Intimate and small-scale as the title suggests, warm and grateful rather than sweeping.
Dark trip hop in D# minor built on piano and strings over a firm beat with bass, synth and processed vocal FX. Haunting and mysterious with a thread of hope in the title's imagery, it works as a nocturnal underscore. Leaves space beneath for dialogue or narration.
The most driven cue here: 120bpm in A minor with brass, piano, strings, harp and orchestral drums pointing at forward motion and achievement. Minor-key tension keeps it serious rather than sunny, building steadily across three minutes toward a confident resolve. Made for car commercials, product launch reels, innovation keynotes and progress-of-industry sequences.
A four-minute build at 120bpm in E-flat that adds drums and electric guitar to the piano, strings and bass, making it the fullest and most band-driven arrangement on the album. Dark and somber but tagged inspiring — designed to grow from intimate opening into a wide-screen final section.
At 114bpm in A minor this is one of the album's driving cues, with percussion and synths under running strings, brass stabs and choir plus vocal samples for scale. The title's pull toward 'home' gives it forward motion and a sense of arrival rather than pure threat. Fits journey sequences, search-and-rescue footage and determined-progress montages.
The album's darkest turn: an A minor piano-and-strings underscore at 97 BPM with bass, synth texture and restrained drums, weighted toward grief and regret. Intimate and introspective, it suits scenes of loss recalled in a domestic space rather than any uplift.
The most stripped cue here: acoustic guitar and shaker only, with male vocals, at a relaxed 88 BPM in C. Introspective and chill, it stays intimate for its full two minutes rather than building to a peak. Good for reflective voiceover-adjacent sequences, quiet nature footage and slow-life brand storytelling.
An 80bpm reunion piece in E with the album's fullest palette at a slow tempo: acoustic guitar, ukulele, piano, bass, claps, glockenspiel, drums and whistling, tagged moody as well as hopeful. Tender and slightly bittersweet, better suited to emotional payoff than upbeat promo. Works for homecoming and reunion footage, family documentary and end-credit sequences.
A 120bpm indie-folk song in C led by male vocals with harmony backing, acoustic guitar, bass, kit drums and a warm pad underneath. Over 3:07 it moves from reflective, intimate verses to a fuller cinematic chorus — domestic, romantic and unhurried, as the title suggests.
The slowest cue on the album at 90bpm in G, with piano, strings, drone and pad giving the most spacious and melancholy reading of the record's palette. Its isolation-themed title fits solitary footage — an empty landscape, a lone figure, a difficult passage in a personal documentary.