The album's title cue: a broad 70bpm orchestral build in A major, with piano at the centre, strings and brass widening behind it and choir plus wordless vocal textures lifting the final third. Slow enough to sit under narration early on, but it arrives at a full triumphant peak.
The fastest cue on the record at 150bpm in B flat, driven by percussion and strings with acoustic guitar giving it an earthier, folk-tinged pulse the other tracks don't have. The farewell in the title reads as bittersweet forward motion rather than grief, ending in full brass and choir.
A 75bpm piece in B minor, the darkest key here, so the soaring choir and brass payoff feels hard-won rather than automatic. Piano and sustained strings carry the first half; the title's image of catching light suits footage moving out of hardship.
Fast and propulsive at 140bpm in F sharp minor, with driving drums, ostinato strings and brass stabs cut through by choir and processed vocal textures. The shortest of the up-tempo cues and the most urgent, minor-key tension resolving into triumph.
At 76bpm in F major this is the most reflective cue, and the only one where synth pads sit alongside the strings and brass instead of piano, giving it a slightly modern, hazy colour. Choir enters late for a warm, nostalgic swell suited to looking back.
85bpm in A minor, patient and pleading in tone, built from piano and strings with choir and vocal effects thickening the later swells. The longest emotional slow-burn of the minor-key cues, arriving at a full brass resolution.