Levitation

A bright E major hybrid score at 120bpm built on piano figures over pads, strings and a steady programmed beat, with wordless background vocals adding a choral, heavenly sheen. Steadily inspiring rather than dramatic, it holds a confident forward pulse across three and a half minutes and lands cleanly.

The title cue: 88bpm in G, piano at the centre with pads, strings and a light beat creating a floating, weightless feel. The longest of the mid-tempo pieces at 3:37, it grows patiently from dreamy stillness to a warm, hopeful peak.

At 105bpm in C, this one adds brass to the piano, strings and drum programming, giving the drive implied by its title a broader, more determined weight. Momentum is insistent and unbroken, suitable for perseverance and progress storytelling.

The fastest cue here at 140bpm in C, and the tightest edit at 2:31 — piano and pads driven by drums with brass lifting the top end. Urgent but still uplifting, it suits time-lapse and deadline-pressure cutting more than reflection.

A 130bpm C major cue with piano, strings, brass and full drums, compact at 2:38 and clearly aimed at guidance and reassurance in keeping with its title. Bright and forward-moving throughout, with a decisive finish.

Solo piano, 76bpm in G — the album stripped to its core, with no drums, pads or strings. Intimate and unhurried across 2:38, it reads as heartfelt and slightly moody, ideal under narration or dialogue.

135bpm in G with piano, pads, strings, synth and drums but no brass, giving it a cleaner, more electronic lift than its up-tempo neighbours. Its title points to beginnings and the arc is optimistic and gathering across just over three minutes.

The darkest cue on the album: 90bpm in F# minor with pulsing bass under piano, strings, beat and wordless background vocals, and the only one tagged for crime drama and tension. It keeps an urgent unease beneath the ethereal surface rather than resolving into brightness.

At 5:17 the longest piece here, 76bpm in E with piano, strings and drums and no synth layer — an acoustic, romantic slow build with room to develop across several scenes. Tagged for spring, it carries warmth and quiet longing rather than corporate polish.

Piano and strings only, 80bpm in C minor, the shortest cue at 2:25 and the one minor-key piece among the intimate acoustic set. Wistful and suspended in feel, it suits held breath and anticipation more than arrival.