Resilience

The one cue on the album that adds trailer drums to the live quartet-and-piano writing, pushing an E minor idea forward at 90bpm with cello leading over sustained strings. It moves from intimate reflection to a wider, more urgent cinematic lift, suiting escape or pursuit imagery cut with emotional weight.

The slowest and longest piece here at 60bpm in C minor, a somber piano and cello lament with sparse string quartet support. Grief-adjacent and unhurried, it leaves plenty of room between phrases for narration or dialogue.

The album's title cue and its outlier in tone: 100bpm in A flat, busy and purposeful rather than mournful, with driving piano figures and quartet strings pressing forward. Serious with a playful edge, it fits British drama montages of work, investigation or clockwork routine.

A 70bpm F sharp minor reflection for piano and cello with quartet strings, sitting in the album's sad and introspective camp. Restrained and interior throughout, it works for isolation, empty-room shots and single-character contemplation.

An 80bpm E flat piece from the album's brighter, more inspiring side — elegant piano with warm quartet strings and cello, aimed at advertising as much as drama. Reflective at the outset with a hopeful, unhurried lift, it suits commitment, staying, or homecoming imagery.

G minor at 90bpm, an inspiring but shadowed quartet-and-piano cue with cello prominent in the lower register. The minor key keeps the struggle in view while the pacing pushes toward determination, making it a natural fit for perseverance narratives.

A 70bpm G minor departure piece for piano, cello and strings, somber and emotive with the album's slower, sadder pulse. Suits station platforms, packed cars and last-look-back moments in narrative or documentary footage.

The shortest of the sad-set cues, 90bpm in F minor, with piano and cello carrying an aching, unfulfilled line over quartet strings. Slightly more forward-moving than its neighbours, useful when yearning needs momentum rather than stillness.

The fastest cue on the album at 120bpm in C minor, driving quartet strings and insistent piano into the record's most active statement. Elegant but decisive, it works where a decision has been made and the edit needs forward motion.

F minor at 90bpm, sharing tempo and key with "Longing" but running longer and reading more composed than wounded — stately piano with cello and quartet strings. Its poised, dignified arc suits portrait interviews, historical footage and quietly noble character moments.