34 cues
B minor disco house at 121bpm with organ and Rhodes chords, string lines and mixed male/female vocal fragments over a steady 4/4 kick and funk guitar. Slightly warmer and more romantic in feel than its siblings, good for couples-in-the-city footage or a feel-good nightlife sequence.
The one cue with strings alongside acoustic guitar, claps and a 122bpm four-on-the-floor kick in B minor, giving it a slightly warmer, more emotional lift than its neighbours. Anthemic title and 2:45 length suit an uplifting closing beat.
The fastest and shortest track on the set at 117bpm, in A flat major for a glossy, upbeat lift over its punchy 4/4 kick, bass and layered synths. Tight 2:08 length makes it the natural pick for a short-form fashion or holiday edit needing immediate momentum.
The fastest and shortest cue at 126 BPM and 2:22 in D minor, with a running arpeggio and piano layered over bass, 4/4 kick and vocal hits for a sense of forward propulsion. Its tight running time and quick build make it the most edit-friendly option for short-form cutdowns.
The shortest and sunniest cut, in a clean C major at 110bpm, with marimba, steel drum and timbale over a relaxed house kick and light vocal colour. Its major key and tight 2:10 runtime make it an easy drop-in for edits that need immediate warmth without a long ramp.
Title-track energy: sleek chill house and synthwave at 112 BPM in E flat, with polished synth layers, 4/4 kick, percussion and vocal samples. Struts more than it races, reading as expensive and self-assured. Cut it to designer handbag and watch reveals, runway walks or a high-end store interior tour.
A four-on-the-floor folk-house cue at 115bpm in F# minor, pairing strummed acoustic and electric guitar with synth pads and layered male vocals with harmony backing. The minor key gives it a wistful edge under the driving beat, suiting night-drive and long-distance footage rather than outright celebration.
The brightest, most playful cue here: 115bpm in D with African-leaning percussion, clean electric guitar licks and chopped vocal samples over a chillstep beat. Fun and outward-looking, it fits road-trip and adventure footage that needs a smile.
A 120bpm E minor deep house groove with acoustic guitar, bass and piano under a lead female vocal, with strings and a saxophone line adding a jazzy, late-sunset gloss. Warm and flirtatious rather than peak-time, it suits footage of a beach party easing into evening.
At 101bpm in E minor this is the softest, most romantic of the four-on-the-floor cues here, built from synth pads, bass, hand percussion and airy vocal samples with no piano or strings to harden the edges. Emotional and introspective, it stays in a gentle chill-house groove for four minutes. Works for intimate couple footage, skincare and wellness brands, or reflective vlog voiceover.
Mid-tempo future bass with a reggaeton lilt at 102 BPM in B minor, combining a 4/4 kick, arpeggiated synths, synthpop textures and vocal samples. Relaxed but rhythmically hooky, the minor key keeping it sultry rather than bubbly. Ideal for beach resort promos, swimwear campaigns and sunset dance footage.
Warm E-major tropical house at 111 BPM built on soft synth chords, a light four-on-the-floor beat and flamenco guitar figures that give it a Mediterranean edge. Over four and a half minutes it stays sunny and romantic rather than peaking hard, making it a long-form bed for holiday footage.
A slower, funkier tech-house groove at 114 BPM in F#m, built on chopped vocal samples, filtered synths and a springy bassline over a steady 4/4 kick. Its 6:28 length gives a long DJ-style build and breakdown, useful when you need the groove to run under a whole scene.
The longest and most spacious of the house cuts: 110bpm in D minor, with a slow deep groove, haunting pads, treated vocal fragments and a saxophone line that gives it a smoky, sensual edge. Its five-minute length makes it a natural bed for extended sequences.
Aspirational electro-folk at 115bpm in B major, with acoustic and electric guitar over synth and a steady four-on-the-floor beat, topped by male lead and harmony vocals. The bright major key makes this the most straightforwardly triumphant of the uptempo cues.
The most purely groove-driven cue here — tagged for fun, funk and sensuality rather than emotion, with female vocal, saxophone, acoustic guitar and strings over a 120bpm E minor house bed. Its 3:21 length gives room for an extended instrumental stretch, useful for club or party sequences without a sentimental turn.
Bright four-on-the-floor club house at 126 BPM in A flat, built from stacked synths, tight percussion and chopped vocal samples over a driving bass. It stays sunny and uncomplicated across two and a half minutes, arriving at a clear peak rather than sitting in a bed. Cut it to rooftop party footage, festival crowds or a summer fashion spot.
A 103bpm electronic cue in A major that pairs a steady four-on-the-floor kick and clap with piano, sustained strings and chopped vocal samples, giving it a moody-but-warm Ibiza terrace feel. The major key keeps it inspiring rather than melancholy, and the mid tempo leaves room for narration between vocal hooks. Suits sunset beach footage, travel vlogs and youth-focused fashion or fragrance spots.
House-leaning chill cue at 122bpm in C# minor, with a deep four-on-the-floor pulse, airy pads, distant vocal samples and a moody low end. Nearly four minutes of after-hours atmosphere — sultry and mysterious without ever peaking hard.
Electro-folk at 110bpm in E major, blending acoustic and electric guitar with synth textures and a house-leaning 4/4 pulse under male vocals and harmonies. The homecoming title suits arrival scenes and the closing act of a journey piece.
Male lead vocal over a steady 120bpm E minor house pulse, with folk-leaning acoustic guitar, piano, bass and string pads giving it a wistful, reflective tilt. The longest of the E minor group at 3:22, it builds toward a warm, resolved chorus lift suited to a romantic remembering.
The slowest cue at 97 BPM, a chill house and synthwave groove in C with retro synth pads, understated beat, 4/4 kick and vocal samples. Bright and unhurried, holding a steady mood rather than building to a drop. A natural bed for morning-after-sunrise footage, wellness and skincare visuals or a talking-head lifestyle segment.
A funkier, shorter cut at 103 BPM in G, pairing clean guitar with sliced vocal samples and glitchy percussion. The relaxed tempo and playful bounce make it the most groove-led feel-good piece on the set, well suited to social and lifestyle edits.
At 4:55 the album's long-form cue, giving a full house arrangement room to develop: male lead vocal, folk acoustic guitar, bass and strings over a 120bpm D major groove. The homesick title lends it the most emotional weight here, and the length allows a slow build and a satisfying landing for extended sequences.
A feel-good 110bpm house cue in A flat with a driving 4/4 kick, rounded bass, bright synths and processed vocal samples — hopeful and forward-moving rather than moody. The title's playful pun on sine waves fits its clean, glossy electronic surface. Built for vlog intros, sportswear and tech product spots, and upbeat holiday footage.
The stripped counterpart at the same 116 BPM and B minor, relying on synth pads, glitch textures and vocal samples with no guitar or flute lead. Cleaner and more open in the midrange, which makes it the better choice when dialogue or narration sits on top.
An uplifting E minor vocal house cue at 120bpm, with female lead, piano, acoustic guitar and strings over a deep groove; the title's sense of ascent matches the longest run time in the E minor set at 3:31. Suits footage that opens outward — aerials, coastlines, journeys taken together.
Chill house and synthwave hybrid at an easy 100 BPM in G, with warm retro synths, steady 4/4 kick, light percussion and scattered vocal samples. The most laid-back of the major-key cues, cruising rather than climbing. Made for coastal drive footage, hotel and spa visuals or an easygoing voiced brand piece.
Same 111 BPM E-major groove as its album partner but built from chopped vocal samples and glitch edits instead of guitar, giving it a more electronic, processed sheen. Dreamy and seductive throughout, with a steady mid-tempo pulse that suits drifting drone shots of coastline and pine.
An emotional 115bpm house cue in C minor that adds piano and strings to the 4/4 kick and bass, with angelic vocal samples floating above. The minor tonality and title point to something wistful and closed-off inside an otherwise dance-shaped arrangement. Works for end-of-story montages, coming-of-age drama, and reflective travel or documentary sequences.