Warm E-major tropical house at 111 BPM built on soft synth chords, a light four-on-the-floor beat and flamenco guitar figures that give it a Mediterranean edge. Over four and a half minutes it stays sunny and romantic rather than peaking hard, making it a long-form bed for holiday footage.
Same 111 BPM E-major groove as its album partner but built from chopped vocal samples and glitch edits instead of guitar, giving it a more electronic, processed sheen. Dreamy and seductive throughout, with a steady mid-tempo pulse that suits drifting drone shots of coastline and pine.
A funkier, shorter cut at 103 BPM in G, pairing clean guitar with sliced vocal samples and glitchy percussion. The relaxed tempo and playful bounce make it the most groove-led feel-good piece on the set, well suited to social and lifestyle edits.
The moodiest track here: 103 BPM in G with female vocals, vocal samples and glitch textures over a smooth house beat, tagged moody and seductive rather than uplifting. Its cooler, more shadowed tone fits night-time and after-dark scenes rather than midday sun.
At nearly six minutes this is the album's longest and most developed cue, 114 BPM in C with arpeggiated synths, flute lines, sung vocals and glitch detail. The extended running time allows a gradual lift from dreamy intro to full party groove, giving editors room to build.
Shares the 114 BPM C-major groove but swaps flute and arpeggio for piano against vocals and glitchy beats, giving a slightly softer, more melodic feel. Bright and optimistic across four and a half minutes, ideal for warm summer nostalgia.
A tighter 116 BPM cue in B minor, its minor key giving the guitar, flute and chopped vocal samples a wistful cast under the feel-good beat. Just over three minutes and briskly paced, good for a compact upbeat edit with emotional depth.
The stripped counterpart at the same 116 BPM and B minor, relying on synth pads, glitch textures and vocal samples with no guitar or flute lead. Cleaner and more open in the midrange, which makes it the better choice when dialogue or narration sits on top.
The most pared-back version of the 113 BPM A-flat groove, working purely from synths, beat, FX and glitch edits with no melodic instrument out front. Its uncluttered, positive loop-like feel makes it a reliable underscore for spoken content.
The slowest cue on the album at 100 BPM in B minor, with guitar and piano over glitch textures and a laid-back house beat. The minor key and unhurried pace lend it a reflective, travelling quality rather than pure party energy.