Funk In Da House

A guitar-led funk groove at 118 BPM in D minor, built on clean electric guitar, bass, drums and hand percussion rather than a four-to-the-floor kick. Warm, easygoing and summery across nearly four minutes, it stays at a steady feel-good cruise rather than climbing to a peak.

Jazzy house at 120 BPM in A minor with a 4/4 kick underneath saxophone, electric keys, organ and piano over a rolling bass. Sophisticated and dancefloor-ready, it holds a confident club groove for its full 3:47 without dropping into drama.

Deep house in A minor at 120 BPM with female vocals riding over keys, pads and strings on a firm 4/4 kick. Soulful and party-leaning, the shortest of the vocal cuts at 3:31 and the most immediately hooky.

The longest club cut here at 4:27: deep jazzy house in C minor, 118 BPM, with saxophone, organ, synths and chopped vocal samples over percussion and a 4/4 kick. Sultry and playful, with plenty of runtime for extended edits.

A short, loose 115 BPM funk sketch in B flat for electric guitar, bass and drums, trippy and free-flowing rather than club-focused. At under two minutes it works as a quick interstitial or a surf and skate cutaway.

The fastest-feeling of the seductive vocal house cuts at 122 BPM in E flat, with breathy female vocals over warm keys, pads and synths on a steady 4/4 kick. Sexy and sleek, it keeps one mood for 3:35 with no big breakdown.

An instrumental deep house cut at 120 BPM in A major — the only major-key club track here, which gives it a brighter, sunnier lift than its minor-key neighbours. Keys, synths and bass over a 4/4 kick, compact at 3:20 and clear of any lead vocal.

The slowest and most exotic cue on the album: 105 BPM in A minor, with duduk and oud lines and strings floating over a warm 4/4 kick and bass. Atmospheric and sensual, it reads as desert or Mediterranean travel rather than club.

At 125 BPM in A minor this is the fastest and most euphoric of the vocal house tracks, with female vocals, dreamy pads and synths over a driving 4/4 kick. Seductive but lifted, suited to peak-time footage.

A moodier, more reflective instrumental deep house piece at 122 BPM in A minor, running 4:21 with piano and keys alongside pads, synths, bass and a 4/4 kick. Somber and hopeful at once, it is the most atmospheric and least party-oriented of the club cuts, with room for narration.