A relaxed 110bpm breakbeat groove in D minor built on vintage organ, fat bass and horn stabs, with flute lines and chopped vocal samples adding a comic wink. The slower tempo keeps it swaggering rather than frantic, and at 2:19 it works as a compact spot bed with a clean landing.
The fastest and most driving cut here at 121bpm in E minor, pushing electric guitar riffs and brass punches over a hard-swung breakbeat with vocal chop hooks. Its urgency suits chase-style edits and fast-cut sports or product reveals, and it finishes decisively.
At 118bpm in D minor this is the longest cue on the set, giving guitar-and-brass funk more room to strut across two and a half minutes of vinyl-flavoured breakbeat and vocal samples. The extra length makes it the pick for a longer montage or trailer that needs a full arc rather than a 30-second hit.
A 110bpm C minor groove with a bluesier tilt, leaning on vintage organ, flute, percussion and horn accents over a loose retro break. The steadier pulse and organ-forward palette leave more room underneath dialogue or narration than the guitar-led cuts, and it closes cleanly at 2:20.
Mid-tempo 114bpm big beat in E minor with electric guitar, fat bass and brass stabs riding a vintage break peppered with vocal chops. The title's upward lift suits feel-good reveals and confident walk-ons, sitting between the album's laid-back organ cuts and its fastest chase piece.