Vertigo

A slow-burning 90bpm electropop and R&B song in F#m with female lead vocals over synth pads, programmed beat, claps and rounded bass. Moody and sensual rather than upbeat, it sits in the space between attraction and breakup and runs long enough to carry a full narrative sequence.

Male-vocal electropop with an 80s tint, at 105bpm in F#m, built on synths, claps, drum programming and bass. The title's departure imagery suits a wistful, nocturnal mood — a last drive, a goodbye, an ending that still feels romantic.

The brightest and fastest of the vocal songs here: 124bpm in A minor with funk-leaning electric guitar, piano, synths, claps and male lead. Feel-good and celebratory, it works for crowd shots, dancefloors and wedding footage.

A 90bpm trap-influenced R&B pop cut in G minor, driven by 808 sub bass, claps, sparse synths and a male vocal. Cooler and more rhythmic than melodic — the character-name title gives it a story-song feel suited to swagger and heartbreak in equal measure.

The one instrumental on the set: 142bpm synthwave-tinged electropop in C minor with retro synths, claps, drums and bass, and no lead vocal. Short, fast and fun, with room over the top for narration or dialogue.