Bright B-major electro-funk at 108bpm, built on a springy synth bassline, clipped electric guitar and clap-driven programmed drums with chopped vocal samples used as hooks. The shortest of the funk cuts on the set and the only one in a major key, so it reads as sunlit and untroubled rather than sultry — good for poolside and fashion-lifestyle footage.
A 110bpm A-minor neosoul-funk groove with vocoder as the lead voice over synth bass, claps and processed vocal FX, moodier and more reflective than the major-key tracks here. At 3:15 it is one of the longer cuts, with room to sit under a full scene rather than a short cutdown.
The most overtly 80s track on the set: 116bpm in B minor with saxophone and piano riding over clap-heavy electronic drums, synth bass and vocal samples. Happy and summer-leaning despite the minor key, with a retro sheen that suits period-flavoured or throwback comedy footage.
A 110bpm G-flat funk-pop instrumental — the only main mix on the album with no vocal samples or vocoder, leaving the synth bass, guitar scratch and clap groove to carry it. At 3:24 it is the longest cue here and the most usable as a clean bed under narration or dialogue.
The punchiest and shortest cut at 116bpm in B-flat minor, with cowbell and added percussion layered over the clap-and-synth-bass funk foundation plus chopped vocal FX. Its 2:14 length and busier rhythm section make it a natural fit for fast-cut promos and party sequences.