A 107bpm synthpop groove in E flat built on programmed drums, round synth bass and glitch-treated female vocals, the longest and most song-shaped cue here at 3:15. Bright, flirtatious and retro-80s, it keeps a steady club pulse rather than a dramatic build.
Compact 2:38 electropop cut at 109bpm in E flat, driven by chopped vocal samples and FX, clipped electric guitar and a fat synth bass line. Playful and punchy, its short length makes it an easy fit for a cut-down ad or a fast social edit.
Instrumental synthpop at 108bpm in B minor, with rhythm electric guitar over synth, bass and a crisp programmed beat — the minor key gives it a slightly cooler, moodier edge than its E flat neighbours. No lead vocal, so the groove sits comfortably under dialogue or narration across its 2:44.
The fastest and most house-leaning track on the set, 120bpm in G flat with a four-on-the-floor beat, funk guitar and glitch-processed male vocal hooks. Slick and confident over 3:04, it reads as high-end nightlife and catwalk energy rather than kitsch retro.
The most overtly funk-flavoured cue here: 106bpm in B minor with vocoder lines, scratchy electric guitar, synth bass and a laid-back but insistent beat. At 3:08 it grooves in place with a knowing retro swagger, useful where you want personality without a sung lyric.