Mid-up 105bpm synthpop in G# minor, the minor key pushing the title's breakup subject into something bittersweet rather than purely fun; beat, bass, synth and a female lead vocal carry it across 2:58. Suits the aftermath section of a relationship story where the energy is still danceable but the sentiment has turned.
The fastest and brightest of the set at 120bpm in A major, a driving beat-and-synth pop song with female lead vocal that plays its lonely title against upbeat production. Tight 2:43 runtime makes it an easy drop-in for a high-energy cutdown.
At 110bpm in B flat major this is the longest cue on the album at 3:09, a confrontational-titled pop song delivered in a major key with beat, bass, synth and female vocal. Good for a betrayal beat that still needs forward momentum rather than sadness.
A 110bpm A minor pop song, beat and synth bass under a female lead vocal, its blunt title and minor key giving it a push-back, had-enough attitude. Longest on the album alongside the other 3:10 cue, so it covers a full scene without looping.