A slow, heavy-footed swagger rock cue at 82bpm in D minor, built on distorted electric guitar, thick bass and hard-hitting drums with male vocal shouts and chanted oohs and ahhs behind them. The half-time pace gives it strut rather than sprint — cocky, aggressive and physical rather than uplifting.
A driving 142bpm pop-rock anthem in E flat minor that pairs programmed beat and bass with piano, synth and distorted guitar, topped by male lead vocals and gang-style backing chants. The moody minor-key verses push toward a triumphant, empowered lift — struggle resolving into victory.
The fastest and most defiant cue here at 158bpm in B minor, with claps, punchy beat, distorted stadium guitar and confident male vocals over chanted backing vocals. Relentless forward drive with a badass, unbowed attitude and a clear winning payoff.
A 156bpm anthem in D flat minor that leans on piano and synth alongside claps, beat, bass and distorted guitar, with male lead vocals and big group backing vocals. The emotional angle is comeback rather than combat — moody opening building to a strong, inspiring release.
Shares the slow 82bpm D minor swagger stomp of the album's heaviest material, adding synth and claps to the distorted guitar, bass and drums under male vocals and chanted backing parts. At 2:23 it is the longest cue on the set, giving an editor more runway for a fearless, no-ceiling attitude piece.